Acquisition of the concession 1883 (≈ 1883)
Funeral grant purchased for the tomb.
1883-1884
Construction of the tomb
Construction of the tomb 1883-1884 (≈ 1884)
Probable period of monument construction.
22 juillet 2021
Registration as Historic Monument
Registration as Historic Monument 22 juillet 2021 (≈ 2021)
Official protection of the Quilici tomb.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The tomb Quilici, excluding the funerary crypt, occupying concession number 1 of the Pre Berna driveway, located in the marine cemetery, Saint-François district, on Parcel No. 7, shown in the cadastre section AB. A plan is annexed to the decree which specifies the exact extent of the plan: registration by order of 22 July 2021
Key figures
Pierre Manguin - Architect
Stylistic comparison with his works.
Vital-Dubray - Sculptor
Artist associated with the tomb sculptures.
Origin and history
The Quilici Tomb, located in the Bonifacio Marine Cemetery, is a funerary monument built around 1883-1884. It is distinguished by its square plan, crypt and pyramidal roof, inspired by the Moiana chapel in Auteuil. This tomb, built in white marble of Carrara, stands out for the quality of its sculptures, especially the weeping ones, and for its neat architecture. It escapes local standards of funeral construction, both by its materials and by its design, making it exceptional in the context of Bonifacio.
The monument is part of a 19th century trend: building family funeral chapels. Unlike other achievements of the time, he did not comply with the regulations of the cemetery, which underlined his originality. Comparisons with the works of architect Manguin and sculptors Dalou or Vital-Dubray testify to his artistic value. The tomb, located in concession No. 1 of Pre Berna, was partially protected by an order in 2021, excluding the crypt.
The realization of the Quilici tomb reflects an expanding funeral practice, where wealthy families sponsor monuments designed to affirm their social status. His late inspiration from the Moiana Chapel and the use of noble materials such as Carrara marble make him a remarkable example of 19th century funeral art. The quality of bas-reliefs and round-bosses, as well as the inscriptions, reinforce its monumental and artistic character.
Although the tomb is a private property, its inscription as Historic Monument in 2021 recognizes its heritage importance. The location in the marine cemetery of Saint-François in Bonifacio adds to its historical and tourist interest. GPS coordinates and cadastral data specify its location, although the exact location is considered poor (note 5/10).