Construction decision 1626 (≈ 1626)
Replacement of the Farreiroux gate decided.
1630
Completion of the first two floors
Completion of the first two floors 1630 (≈ 1630)
Ionian base and main structure completed.
1664
Completion of third floor
Completion of third floor 1664 (≈ 1664)
Finalization of the tower after additions.
1792
Replacement of Royal Arms
Replacement of Royal Arms 1792 (≈ 1792)
Registration "The law" affixed.
1909
Earthquake
Earthquake 1909 (≈ 1909)
Clock blocked at 9:10.
30 novembre 1912
Belfry and bell rank
Belfry and bell rank 30 novembre 1912 (≈ 1912)
Protection for historical monuments.
28 décembre 1926
Registration of the tower
Registration of the tower 28 décembre 1926 (≈ 1926)
Extension of heritage protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The belfry and bell in iron and bronze: classification by decree of 30 November 1912; Round: inscription by decree of 28 December 1926
Key figures
Information non disponible - No character cited
The source text does not mention any specific actors.
Origin and history
The Tower of the Salon de Provence Clock was erected in the 17th century to replace the old town gate Farreiroux, demolished. In 1626, the local community decided on its construction, completed in two phases: the first two floors in 1630, and the third in 1664. The tower adopts a style reminiscent of the "Chinese towers", with an Ionian base, and was designed for the Mistral to carry the sound of its bells to the city centre.
In 1792, the Royal Arms were replaced by the inscription "The Law", reflecting revolutionary upheavals. The tower underwent several restorations (1785, 1890, 1912) and resisted the 1909 earthquake, which blocked its clock at 9:10 a.m. Its most remarkable elements — the belfry and the bell in iron and bronze — were classified as historical monuments in 1912, followed by the inscription of the ensemble in 1926.
The tower houses a complex watchmaking: a lunar dial on the outside side, and a semainier on the inside, illustrated by planetary figures (Sunlight for Sunday, Moon for Monday, etc.). Although modernized (engines, electronics), it remains vulnerable to power cuts. Its campanile and machinery make it a rare testimony of Provencal watchmaking art in the Grand Century.
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