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Tour du Caraillé de Fumel dans le Lot-et-Garonne

Patrimoine classé
Patrimoine défensif
Maison classée MH

Tour du Caraillé de Fumel

    3 Rue Belhomme
    47500 Fumel
Private property
Crédit photo : MOSSOT - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1800
1900
2000
XIVe siècle
Initial construction
XVIIIe siècle
Enlargement by Pierre Trenty
1er septembre 1986
Registration for Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Fronts and roofs, including the terrace with its staircase (Box AC 123): inscription by order of 1 September 1986

Key figures

Pierre Trenty - Forges master and paper maker Expanded the residence in the 18th century.
Famille Trenty - Owners since the 18th century Occupied the place until the 19th century.

Origin and history

The Tour du Caraillé de Fumel, located at No. 3 of Rue Belhomme, is a composite building dating back to the 14th century. Originally, it was probably built to monitor a ford on the Lot River and a nearby mill. The oldest part rests on a vaulted cellar pierced with murderers, and includes a round tower with a staircase with screws, typical of medieval defensive buildings.

In the 18th century, the building was enlarged and renovated in a style inspired by the castle of Fumel, with a baluster terrace and a vaulted gallery. This transformation reflects the influence of the Trenty family, notably Pierre Trenty, master of forges and paper maker, who occupied the premises from that time on. The south façade, on the raised ground floor, and the communes in the north, formerly gendarmerie barracks, bear witness to this architectural evolution.

The Tour du Caraillé was listed as a historical monument on 1 September 1986 for its facades, roofs and terraces. Its history is linked to the confluence of the Lot and the Lemance, as well as to local industrial activity, as evidenced by the traces of the Lemance arm pipe in the 20th century. The protected elements include vaulted cellars, an arcade gallery and balusters similar to those of the nearby castle.

The building thus illustrates the transition between a medieval defensive function and a bourgeois residence of the Enlightenment, while preserving remains of its military past. Its hybrid architecture makes it a rare testimony to the adaptation of old buildings to the needs of local elites under the Old Regime.

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