Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Old hospice of Grandchamp or Notre-Dame de la Consolation en Haute-Vienne

Old hospice of Grandchamp or Notre-Dame de la Consolation

    4 Grand Champ
    87210 au Dorat
Private property

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1878
Death of dedicationists
1880-1885
Construction of the hospice
1885
Construction of stained glass windows
24 février 2004
Registration for Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

The entire chapel; the facades and roofs of the two houses that flank it (see Box B 481 to 483): registration by order of 24 February 2004

Key figures

Félicie-Madeleine Chesne - Founder of the hospice Veuve Robert, the originator of the project.
A. Bonnet - Initial architect Design designer of the hospice.
Jules Tixier - Architect involved Acquire the arrow of the chapel.
Luc Gesta (attribué) - Presumed glass painter Possible author of stained glass (monogram).
Pierre Robert - Notable ancestor Author of local historical notes.

Origin and history

Lehospice de Grandchamp, also known as Notre-Dame-de-la-Consolation, was founded by Félicie-Madeleine Chesne, widow Robert, on his property in the Dorat. Built between 1880 and 1885, it was intended to house old men and was dedicated to the memory of her husband and sister-in-law, who died in 1878. The building, designed by the Parisian architect A. Bonnet, consists of a central chapel flanked by two symmetrical pavilions reserved for men and women.

The chapel, of stylized neo-Gothic style, presents a Latin cross plan with a three-sided bedside and bow-buttons. Its interior is vaulted with limestone, and its stained glass windows, dated 1885, represent religious scenes and local saints. The arrow of the chapel was completed by Jules Tixier after a conflict between the original contractor and the contractor. The pavilions, with crepy facades and pinacles, housed dormitories and service rooms.

On 24 February 2004, the building was partially listed as a historical monument, protecting the entire chapel and the facades and roofs of the two adjacent houses. The Robert family, at the origin of the project, was a lineage of local notables since the 16th century, some members of which, like Pierre Robert, left historical writings on the Limousin and the Marche.

The stained glass windows, signed by a monogram (L.C. or G.), could be attributed to Luc Gesta, painter-glass. Some elements of original furniture remain, such as a bentier, a confessional, an altar and a reliquary. The ensemble illustrates 19th century charitable architecture, combining religious functionality and symbolism.

External links