Construction of the villa 1913-1917 (≈ 1915)
Built in a thermal park.
1957
Sale and processing
Sale and processing 1957 (≈ 1957)
Becoming a hotel after separating the park.
7 avril 2008
Historical Monument
Historical Monument 7 avril 2008 (≈ 2008)
Full protection villa and decorations.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire villa, including the interiors with their stucco decorations, woodwork, stained glass (hall, staircase, dining room, blue bedrooms, Louis XVI, Executive Board, Empire, bathroom) (Box AO 364, 1011): inscription by order of 7 April 2008
Key figures
Atelier Champigneulle - Glass painter
Author of Art Nouveau stained glass windows.
Origin and history
Villa Le Paradou, located in Châtel-Guyon in Puy-de-Dôme, was built between 1913 and 1917 in a thermal park including a drink, a pastillerie and cottages dedicated to care and reading. Its architecture reflects an eclectic style, blending a massive quadrilateral, a pseudo-central tower with a dome, and elements inspired by the seaside or Anglo-Norman style, such as the polygonal turrets and the bowl-window veranda. The facades incorporate stone decorations evoking auvergnat Romanesque art, while the interiors, equally varied, house a wooden staircase with Art Nouveau motifs, illuminated by stained glass windows signed by the Champigneulle workshop.
Originally linked to Châtel-Guyon thermal park, a resort renowned for its waters, the villa was separated from the latter in 1957 and converted into a hotel after its sale. Its inscription in the Historical Monuments in 2008 protects the entire building, including its interior decorations (stuces, woodwork, stained glass) in rooms such as the hall, the staircase, or the thematic rooms (Louis XVI, Directory, Empire). These elements reflect a desire for luxury and eclecticism, characteristic of the thermal residences of the time, intended for an easy clientele in search of care and distraction.
The building illustrates the golden age of the Auvergne spas in the early 20th century, where architecture and nature combined to attract a social elite. The villa, now privately owned, thus preserves a remarkable artistic and historical heritage, from its Art Nouveau stained glass windows to its references to the local Romanesque heritage, symbolizing the mixture of influences that marked this period of transition between tradition and modernity.
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