Construction of the villa 1958-1959 (≈ 1959)
Designed by Bonnefoy and Taunay.
27 février 2002
Historical monument classification
Historical monument classification 27 février 2002 (≈ 2002)
Registration of facades and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Fronts and roofs (Box AN 497): inscription by decree of 27 February 2002
Key figures
Claude Bonnefoy - Architect
Designer of plans of the villa.
Robert Taunay - Entrepreneur and owner
Collaborator and owner of the villa.
Origin and history
The villa Ombre Blanche, built in 1958 according to the plans of the architect Claude Bonnefoy, is located at 70 boulevard Frédéric-Garnier in Royan. This building, emblematic of post-war reconstruction, is distinguished by its two-sided terrace roof, resting on metal poles. Its apparent stone base and its integration into a garden designed simultaneously make it an architectural model of modern times.
The villa was built in collaboration with Robert Taunay, entrepreneur and owner of the premises. Its style, marked by clean lines and bold volumes, reflects the architectural innovations of the 1950s. It is part of the urban renewal movement that followed the destruction of World War II in Royan, a city largely rebuilt in a modern spirit.
Classified as a historical monument by order of 27 February 2002, Villa Ombre Blanche is protected for its facades and roofs. This ranking underscores its heritage importance, both for its architecture and for its role in the history of the reconstruction of Royan. It also illustrates the collaboration between local architects and entrepreneurs, such as Bonnefoy and Taunay, in the redefinition of the urban landscape.
The garden, designed at the same time as the villa, adopts a U-shaped plan and completes the architectural ensemble. The plot, with its green spaces and balanced volumes, demonstrates a global approach to habitat, integrating nature and construction. This project is part of a period when Royan, like other French cities, was experimenting with new forms of urban planning and residential architecture.
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