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Porte Notre Dame de Pernes-les-Fontaines dans le Vaucluse

Patrimoine classé
Patrimoine défensif
Patrimoine urbain
Porte-de-ville
Vaucluse

Porte Notre Dame de Pernes-les-Fontaines

    Pont Notre Dame
    84210 Pernes-les-Fontaines
Crédit photo : Véronique PAGNIER - Sous licence Creative Commons

Timeline

Antiquité
Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
100
200
1300
1400
1500
1600
1700
1800
1900
2000
Ier siècle
Origins of ramparts
1320
Strengthening the ramparts
1510
Construction of the chapel
1548
Door construction
1875
Interior decor by Barbantan
4 octobre 1915
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The entire church including its painted decorations (Box BZ 14): inscription by decree of 14 October 2014

Key figures

Charles Barbantan - Decorative painter Author of religious decorations (1875).
Joseph Joffroy - Architect Associated with the structure (mentioned).

Origin and history

The Porte Notre-Dame de Pernes-les-Fontaines is part of the fortified enclosure of the city, whose origins date back to the first century, with major reconstructions in the Middle Ages (especially in 1320 under the Comtat Venaissin). This gate, located north of the ramparts, was originally built in 1548 to connect the city to Carpentras and the church of Notre-Dame-de-Nazareth. It opens on an external bridge surmounted by the chapel Notre-Dame-des-Grâces (1510), former seat of the Brotherhood of Masons, and gives access to the halls on the inside. The ensemble (gate, bridge, chapel) has been listed as a Historic Monument since 1915.

In the 3rd quarter of the 19th century, the building was distinguished by its interior religious decoration, made in 1875 by the painter Charles Barbantan. The latter, a specialist in sacred decorations, unfolds a coherent work, reflecting the techniques and themes in vogue among the sponsors of the time. The monument thus illustrates a superimposition of periods: medieval structure redesigned and embellished with the modern era, then enriched with artistic elements of the nineteenth century.

The door owes its name to its proximity to the chapel Notre-Dame-des-Grâces, built a century earlier (1510) and linked to local devotion. Its role was both defensive (integrated with the ramparts) and symbolic, marking the northern entrance of the city to places of worship and major commercial routes. Today, the ensemble remains a testament to the urban and artistic transformations of Pernes-les-Fontaines, between medieval heritage and 19th century heritage.

External links