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Castle of Aguts dans le Tarn

Patrimoine classé
Patrimoine défensif
Demeure seigneuriale
Château
Tarn

Castle of Aguts

    Le Bourg 
    81470 Aguts
Château dAguts
Château dAguts
Château dAguts
Crédit photo : Stagiaire FMH - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
XIVe siècle
First certificate of the castle
XVIe siècle
Religion Wars and Change of Ownership
Début XVIIe siècle
Renaissance reconstruction
1793
Revolutionary receiver
1977
Start of restoration
2014
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Fronts and roofs; the vaulted kitchen on the ground floor at the corner of the north and west wings, as well as the current rear kitchen with painted décor, located in the west wing; the 17th century staircase; the living room and the room with decor painted like a green cabinet located on the 1st floor in the northeast corner; the helical staircase and gypseries of rooms on the 1st floor of the south wing; the Tower of the Dead and the terrace east (Box ZB 105): inscription by decree of 24 March 2014

Key figures

François de Rigaud - Lord of Aguts (XVI century) Last Catholic Rigaud, refugee at the castle in 1558.
Marc-Antoine d’Avessens - Protestant Lord and Deputy Acquierts the castle at the end of XVI, family owner until the 19th.
Jacques d’Avessens - Marquis (1749–222) Spouse of Gabrielle de Riquet, plundered in 1793.
Léontine de Villeneuve - Occitane writer Lives in the 19th century, mother born in the Avessens.
Sainte Jeanne-Émilie de Villeneuve - Religious (18th century) Sister of Leontine, linked to the castle by her mother.

Origin and history

The castle of Aguts, located on a mound overlooking the plain of Revel, has its origins attested from the fourteenth century under the family of Rigaud de Vaudreuil. This castle, originally linked to the defence of the bastide of Revel, partially escapes major conflicts such as the Albigois Crusade or the Hundred Years' War, although its existence during these periods remains uncertain. In the 16th century, it became an issue of the wars of Religion: occupied and burned by Protestants, it lost its military role before being acquired by the Protestant family of Avessens at the end of the century.

At the beginning of the 17th century, the Avessens rebuilt the building in a Renaissance style, abandoning its defensive vocation to make it an elegant seigneurial residence. A local legend wrongly attributes this reconstruction to Pierre-Paul Riquet, engineer of the Canal du Midi, although a late family bond (marriage in 1768 between Gabrielle de Riquet and Jacques d-Avessens) could explain this confusion. In the 19th century, the castle, stowed during the Revolution and restored in 1800, was home to figures such as Léontine de Villeneuve and her sister, Saint Jeanne-Émilie, whose mother was an Avessens.

Ranked a historical monument in 2014, the castle reveals in 2016 17th century wall paintings hidden under plaster, worth to its restoration the Sothebys Prize of Heritage. Its architecture combines medieval heritage (doves, arased towers) and Renaissance facilities (inner courtyard, gypseries, terraces). After centuries of agricultural use (grain mill), its rehabilitation since 1977 by the Chavagnac family allows today summer visits and during Heritage Days.

The building consists of a four-winged, three-story quadrilateral, framing a closed courtyard accessible by a stone bridge replacing the old drawbridge. The facades, partially coated, reveal Renaissance elements, while the basements, the vaulted kitchen, and the rooms with painted ceilings testify to its evolution. The masonated moats and the stone bases recall its fortress past, while the east wing baluster terrace illustrates the search for comfort in the 17th century.

Three families mark its history: the Rigaud de Vaudreuil (XIVth–XVIth centuries), Catholics, which make it a strong place; the Protestant d-Avessens (XVIth–XIXth centuries), who transformed him into a residence and preserved him despite the Revolution; Finally, the Chavagnac, owners since 1977, craftsmen of its restoration. The castle thus embodies the political and architectural changes of Occitanie, from the wars of Religion to the modern era.

External links