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Saint-Martin Church of Saint-Martin-d'Entraunes dans les Alpes-Maritimes

Patrimoine classé
Patrimoine religieux
Eglise
Eglise romane
Alpes-Maritimes

Saint-Martin Church of Saint-Martin-d'Entraunes

    D2202 
    06470 Saint-Martin-d'Entraunes
Église Saint-Martin de Saint-Martin-dEntraunes
Église Saint-Martin de Saint-Martin-dEntraunes
Église Saint-Martin de Saint-Martin-dEntraunes
Église Saint-Martin de Saint-Martin-dEntraunes
Église Saint-Martin de Saint-Martin-dEntraunes
Crédit photo : MOSSOT - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1900
2000
XIIe–XIIIe siècle (1ère moitié)
Initial construction
Début XVe siècle
Possible coats
1555
Creation of polyptych
1921
Discovery of paintings
15 mai 1926
Historical Monument
1958
Restoration of the roof
Aujourd'hui
Aujourd'hui

Heritage classified

Church: registration by decree of 15 May 1926

Key figures

François Bréa - Nice painter Author of the polyptych (1555)
Jacques Thirion - History of Art Stylistic analysis of the church

Origin and history

The Saint-Martin church, located in Saint-Martin-d'Entraunes in the Alpes-Maritimes, is a Romanesque building marked by Gothic elements, dated between the 12th and the first half of the 13th century, although some architectural details (such as the southern gate decorated with columns and sculptures) suggest embellishments or partial construction at the beginning of the 15th century. His Romanesque "back-season" style, combined with Gothic contributions, is a typical example of the Alpine churches of this stylistic transition, according to historian Jacques Thirion. The presence of templar symbols (rising, sun, cruciform sword) on the archvolt of the southern portal has fed the legend of an erroneous attribution to the Templars, although no historical document confirms their involvement.

The bell tower, a former independent guard tower, and the unique semicircular apse nave illustrate its defensive and religious architecture. Mural paintings discovered in 1921, dating from about 1600, represent saints (John the Baptist, Blaise, Roch) and an eternal Father with a rare gesture (benecessary with his left hand). The larch shingle roof, restored in 1958, and the modifications of the Romanesque windows (extended into rectangular openings) show further adaptations. Classified as a Historic Monument in 1926, the church also houses a 1555 polyptych signed by François Bréa, dedicated to the Virgin of the Rosary, reflecting the local religious art of the Renaissance.

The building, a communal property, embodies the architectural and spiritual evolution of the Southern Alps, between medieval heritage and Renaissance. Its geographical isolation, near the Champs and Cayolle passes, highlights its historical role as a place of worship and passage in the mountain valleys. Stylistic comparisons with neighbouring churches (Ubaye, Briançonnais) place Saint-Martin-d'Entranes in a regional artistic network, while emphasizing its originality by details such as the carved capitals or the predelle of the Apostles of the polyptych.

External links