Initial construction XIIe–XIIIe siècle (1ère moitié) (≈ 1350)
Romanesque period with early Gothic influences
Début XVe siècle
Possible coats
Possible coats Début XVe siècle (≈ 1504)
South Gate and sculpted details added
1555
Creation of polyptych
Creation of polyptych 1555 (≈ 1555)
Work of François Bréa dedicated to the Virgin
1921
Discovery of paintings
Discovery of paintings 1921 (≈ 1921)
17th century Fresques updated
15 mai 1926
Historical Monument
Historical Monument 15 mai 1926 (≈ 1926)
National inventory
1958
Restoration of the roof
Restoration of the roof 1958 (≈ 1958)
Replacement of larch shingles
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 15 May 1926
Key figures
François Bréa - Nice painter
Author of the polyptych (1555)
Jacques Thirion - History of Art
Stylistic analysis of the church
Origin and history
The Saint-Martin church, located in Saint-Martin-d'Entraunes in the Alpes-Maritimes, is a Romanesque building marked by Gothic elements, dated between the 12th and the first half of the 13th century, although some architectural details (such as the southern gate decorated with columns and sculptures) suggest embellishments or partial construction at the beginning of the 15th century. His Romanesque "back-season" style, combined with Gothic contributions, is a typical example of the Alpine churches of this stylistic transition, according to historian Jacques Thirion. The presence of templar symbols (rising, sun, cruciform sword) on the archvolt of the southern portal has fed the legend of an erroneous attribution to the Templars, although no historical document confirms their involvement.
The bell tower, a former independent guard tower, and the unique semicircular apse nave illustrate its defensive and religious architecture. Mural paintings discovered in 1921, dating from about 1600, represent saints (John the Baptist, Blaise, Roch) and an eternal Father with a rare gesture (benecessary with his left hand). The larch shingle roof, restored in 1958, and the modifications of the Romanesque windows (extended into rectangular openings) show further adaptations. Classified as a Historic Monument in 1926, the church also houses a 1555 polyptych signed by François Bréa, dedicated to the Virgin of the Rosary, reflecting the local religious art of the Renaissance.
The building, a communal property, embodies the architectural and spiritual evolution of the Southern Alps, between medieval heritage and Renaissance. Its geographical isolation, near the Champs and Cayolle passes, highlights its historical role as a place of worship and passage in the mountain valleys. Stylistic comparisons with neighbouring churches (Ubaye, Briançonnais) place Saint-Martin-d'Entranes in a regional artistic network, while emphasizing its originality by details such as the carved capitals or the predelle of the Apostles of the polyptych.
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