Bastide Foundation 1257 (≈ 1257)
Created by Alphonse de Poitiers with central square.
1839
Cadastral Plan
Cadastral Plan 1839 (≈ 1839)
Represents the hotel and its current outbuildings.
début XIXe siècle
Construction of private hotel
Construction of private hotel début XIXe siècle (≈ 1904)
Built for Édouard de Boutaud with park and commons.
1933
Acquisition by the municipality
Acquisition by the municipality 1933 (≈ 1933)
Transformation into town hall and public services.
11 avril 1950
Classification of facades
Classification of facades 11 avril 1950 (≈ 1950)
Registration of facades with cutlery.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Façades with cutlery: inscription by decree of 11 April 1950
Key figures
Alphonse de Poitiers - Founder of the bastide
Created Saint-Sulpice-sur-Lèze in 1257.
Édouard de Boutaud - Hotel sponsor
Fits build building in early 19th century.
Jacques Ayrail - Easy 16th century merchant
There were two houses in the square.
Origin and history
The town hall of Saint-Sulpice-sur-Lèze is a 17th-century mansion, built in brick with an ordered facade of nine spans, divided by colossal brick pilasters surmounted by Corinthian capitals in stone. The building, with a rectangular plan (33 m long), rises on two floors and a ground floor with arcades in the middle. Its long-paned roof is covered with hollow tiles, and the south facade, overlooking the square, contrasts with the north elevation, simpler but still monumental. The interior preserves remarkable decorative elements, such as a stone staircase, living rooms decorated with marble fireplaces, and a billiard lounge with monumental painted decor.
The bastide of Saint-Sulpice-sur-Lèze, founded in 1257 by Alphonse de Poitiers, has retained its quadrilateral central square bordered by arcades. The mansion, although dating from the 17th century in its architectural style, was actually built in the early 19th century for Édouard de Boutaud, along with its outbuildings (orangery, park, and common). The latter, visible on the 1839 cadastre, were initially home to cuveners and cellars. It was acquired by the municipality in 1933 to install the town hall, thus replacing its residential use.
The hotel presents an exceptional state of conservation, with 19th century interior decorations, such as wallpapers, panelling, and marble fireplaces. The billiard lounge, in the hemicycle, is particularly remarkable for its panoramic painted scene and its supporting panel. The communes, now transformed into municipal offices, have lost their fullness in addition to their origin. The facade of the town hall, classified in 1950, illustrates the architectural evolution of the bastide, where wood-paned houses were associated from the 16th century with larger buildings.
In the mid-19th century, the hotel belonged to the Carrière family, then to the Dehoeys in the 1880s. A plan from the beginning of the 20th century reveals a spatial organization typical of bourgeois mansions: parlors on the first floor (Louis XVI lounges, music, and billiards), family and domestic rooms on the upper floor, and kitchens on the ground floor. Graffitis dated from the 1850s, engraved on a doorway, testify to the lives of the children of the family (Alexandre and Louise).
The bastide square, the historic heart of the village, was initially lined with covered houses, some of which were made of wood. The compoix of 1578 mentions seven houses north of the square, belonging to two of them to Jacques Ayrail, an easy merchant. Unlike other bastides, this sector did not yet concentrate on private hotels at that time. The current hotel, although in classic style, is part of an urban tradition where public buildings take over the codes of aristocratic private architecture.
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