Légation de la collection Passet 1912 (≈ 1912)
Founder donation to the city of Saint-Quentin
1942
Enrichment by Mr Verplancke
Enrichment by Mr Verplancke 1942 (≈ 1942)
Adding a new insect collection
1988
Gift of the canon of Larminat
Gift of the canon of Larminat 1988 (≈ 1988)
Last major input before final installation
1989
Installation at St. James' Space
Installation at St. James' Space 1989 (≈ 1989)
Open to the public in the current building
2017-2018
Renovation of scenography
Renovation of scenography 2017-2018 (≈ 2018)
Modernisation of the museum route
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
M. Passet - Founding collector
Bequeathed his collection in 1912
M. Verplancke - Donor
Enriched collections in 1942
Chanoine Pierre de Larminat - Donor
Completed the collections in 1988
Origin and history
The entomological museum originated in the private collection of Mr.Passet, an enlightened amateur from the Saint-Quentin region. In 1912, he left his set of butterflies and insects to the city, laying the foundation stone of a local scientific heritage. The collection, initially centered on specimens from the late 19th century, was enriched in 1942 by Mr.Verplancke's contribution, then in 1988 by that of Canon Pierre de Larminat, thus extending its geographical and taxonomic scope.
The vicissitudes of the two world wars forced the collections to successive moves, before their final installation in 1989 in the St James' Space, a neo-Gothic building erected on the ruins of the ancient church of the same name. This place, formerly chamber of commerce, symbolizes the reconstruction of Saint Quentin after the destruction of the First World War. Museography, entirely redesigned between 2017 and 2018, today highlights the museum's history and the diversity of insects, with an accessible educational approach.
The collections are distinguished by their period furniture, including showcases signed by Deyrolle, and their focus on Lepidoptera and Coleoptera, with a major representation of tropical species. These ensembles, complemented by successive gifts, offer a unique testimony to the scientific and aesthetic practices of the late 19th and 20th centuries. The museum, labeled Musée de France, is thus part of a dual approach of heritage preservation and naturalist extension.