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Château de Valenton dans le Val-de-Marne

Val-de-Marne

Château de Valenton

    10B Rue du Colonel Fabien
    94460 Valenton

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1725-1740
Probable construction of the castle
1752
Acquisition by Halma de Belmont
1839
Property Division
1844
Castle in ruins
1885
Construction of the tower castle
16 juin 1948
Classification of turret
Aujourd'hui
Aujourd'hui

Key figures

Eusèbe Jacques Chaspoux de Verneuil - Ambassadors' Introduction (1725-1740) Probable initial sponsor of the castle.
Jean-Baptiste Halma de Belmont - Owner (from 1752) Acquire the estate after Chappoux.
Contant d'Ivry - Suspected architect Uncertain attribution of the original castle.
Duchemin - Architect (1885) Design the tower castle.

Origin and history

Valenton Castle, located in the municipality of Val-de-Marne, has its origins in the 18th century. It was probably built for Eusebius Jacques Chaspoux de Verneuil, who introduced ambassadors between 1725 and 1740. The estate then included a courtyard, a regular garden, a pond, a fountain and a farm. A pavilion, nicknamed the turret, was later added, either for Chaspoux de Verneuil or for his successor, Jean-Baptiste Halma de Belmont, who acquired the castle in 1752. The architect Contant d'Ivry is sometimes mentioned as his designer, although this attribution remains uncertain.

In the 19th century, the castle underwent major transformations. In 1839, the property was divided in two by Gironde's ru. In 1844, the main body, then in ruins, was rebuilt at its original location, then flanked by two towers around 1925. In the other part of the park, a new castle, called the turret, was erected in 1885 by architect Duchemin. The park of the latter was loti in the 20th century, while the pavilion the turret was classified historic monument by decree of 16 June 1948.

Today, Valenton Castle bears witness to these architectural metamorphoses, mixing 18th century heritage and subsequent reconstructions. Its classified pavilion and remains of its park recall its aristocratic past, between residential functions and prestige symbols. The 20th century estates, however, fragmented the original ensemble, partially altering its historical unity.

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