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Château des Galleries à Bricquebec dans la Manche

Patrimoine classé
Patrimoine défensif
Demeure seigneuriale
Château
Manche

Château des Galleries

    6-18 Place de la Mairie
    50260 Bricquebec-en-Cotentin

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1900
2000
1528
Construction begins
vers 1530-1540
Completion of the main body
avant 1550
Architectural changes
1553-1560
Mentions in the newspaper of Gouberville
22 février 1958
Partial classification at Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Facades and roofs, including horse-drawn iron staircases; loggia (Case G 1): entry by order of 22 February 1958

Key figures

Jacqueline d’Estouteville - Sponsor and heiress Initiator of construction in 1528.
Adrienne d’Estouteville - Owner and resident Daughter of Jacqueline, stayed there for hunting.
François de Bourbon - Husband of Adrienne d'Estouteville Shared the residence with his suite.
Marie de Bourbon-Saint-Pol - Granddaughter of Jacqueline Aura has the stairs built in horse iron.
Gilles de Gouberville - Local columnist Documented visits to the castle (1553-1560).
Famille Le Marois - Latest known owners The castle was occupied until 1998.

Origin and history

The Château des Galleries is a Renaissance residence built in the first third of the 16th century, located in the enclosure of the former medieval fortress of Bricquebec, Normandy. Initiated in 1528 by Jacqueline d'Estouteville, heiress of the feudal castle, this residence reflects the transition from defensive architecture to a more comfortable aristocratic place of life. Its location, in the gardens of Place Sainte-Anne, and its facades adorned with pilasters and capitals inspired by Italy, make it a remarkable example of the artistic influence of the Renaissance in France.

The building of the castle took place in two distinct phases. The first, completed before 1550, concerned a body of eight arcade houses, inspired by open galleries like Chambord's. A second phase saw the addition of an iron staircase on the west facade, leading to a loggia with an imperial roof, probably under the impulse of Marie de Bourbon-Saint-Pol, granddaughter of Jacqueline. These changes also included replacing arcades with sill windows, marking an evolution towards a more closed and monumental style.

The castle was a residence popular with the Norman aristocracy. Adrienne d'Estouteville, daughter of Jacqueline, and her husband François de Bourbon stayed there regularly for hunting, accompanied by a large suite. Gilles de Gouberville, in his newspaper (1553-1560), mentions frequent visits, highlighting the social role of the castle as a place of reception and exchange. Later, Matignon's family, then the Marois, continued its occupation until the 20th century, while beautifying over the centuries.

Partially listed as historical monuments in 1958, the Château des Galleries illustrates the adaptation of local elites to the new standards of comfort and representation during the Renaissance. Its exterior staircase, carved capitals (flowers, animals, monks) and its French-style park make it a unique architectural and landscaped testimony in the Cotentin. Today private property, it remains accessible to groups by appointment, thus preserving an intimate and prestigious heritage.

External links