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Church of Saint-Mazeran à Broût-Vernet dans l'Allier

Allier

Church of Saint-Mazeran

    3 Place de l'Église
    03110 Broût-Vernet
Eglise Saint-Mazeran
Eglise Saint-Mazeran
Eglise Saint-Mazeran
Eglise Saint-Mazeran
Eglise Saint-Mazeran
Eglise Saint-Mazeran
Eglise Saint-Mazeran
Eglise Saint-Mazeran
Crédit photo : TCY - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1700
1800
1900
2000
vers 1070
Initial construction
1168
Enlargement
1796
Sale as a national good
1840
Reconstruction of the bell tower
1933
Historical monument classification
1974
Discovery of the sarcophagus
Aujourd'hui
Aujourd'hui

Heritage classified

Church (excluding bell tower): inscription by decree of 8 May 1933

Key figures

Saint Mazeran (Théobald Majoran) - Clunisian monk and legendary architect Has designed the plans according to tradition.
Claude Bourgoing - Curé du Vernet Rachete the church in 1803 for the parish.
Charles Lorin - Master glasswork carriage Author of the stained glass of Saint Elizabeth (1906).

Origin and history

The church of Saint-Mazeran, located at Broût-Vernet in Allier, was built around 1070 by the Majoran lords, including Saint Mazeran (Théobald Majoran), a legendary Clunisian monk who supposedly drew his plans. Attached to the priory of Souvigny, she became priory and later parish church after her enlargement in 1168. Its auvergnat style, marked by a five-span nave and absidioles, makes it a typical example of Clunisian art in Bourbonnais.

The Revolution transformed its destiny: sold as a national property in 1796, it was bought in 1803 by the parish priest Claude Bourgoing as a place of worship in the parish of the Vernet. The bell tower, destroyed, was rebuilt in 1840, while the present façade dates back to 1868. Classified as a historical monument in 1933 (excluding a bell tower), it houses a merovingian sarcophagus discovered in 1974, attributed to Saint Mazeran, as well as 16th-century murals and 19th-century stained glass windows.

The building illustrates the architectural and religious evolution of the region: from the medieval clunisian priory to the post-revolutionary parish church. Its remarkable elements — frescoes by Saint Mazeran (1530-1540), stained glass by Charles Lorin (1906), an 18th-century marble altar — reflect a preserved artistic and spiritual heritage. The legend of Saint Mazeran, architect and hermit, strengthens his anchor in local history and the route of the painted churches of Bourbonnais.

External links