Completion of construction 1909 (≈ 1909)
Work by Georges-Robert Lefort, style Beaux-Arts.
8 août 1995
Partial classification
Partial classification 8 août 1995 (≈ 1995)
Façades, roofs and Council Chamber protected.
1er quart XXe siècle
Construction period
Construction period 1er quart XXe siècle (≈ 2025)
Architectural eclecticism and various materials.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Façades (main elevation and side façades) and roofs; Inside, Board of Directors Chamber (Box BC 43): Registration by Order of 8 August 1995
Key figures
Georges-Robert Lefort - Architect
Manufacturer of the building, trained in Fine Arts.
Origin and history
The Caisse d'Épargne de Saint-Brieuc, built in the 1st quarter of the 20th century, embodies the architectural eclecticism of the École des Beaux-Arts. Completed in 1909 under the direction of architect Georges-Robert Lefort, the building is distinguished by its mixture of noble materials: polished granite, carved stone, ceramic and bronze. The roof, crowned with a metal umbrella decorated with interlaces, and Palladian bays reflect both a traditional and innovative aesthetic for the time. This monument, now privately owned, illustrates the adaptation of classical codes to the modern needs of a growing financial institution.
The interior is home to a Council of Directors Chamber, which has been protected since the decree of 8 August 1995 which also classifies facades (main and lateral) and roofs. This classification underscores the heritage value of a building where craftsmanship — sculpture, metalwork — dialogue with a utility function. The location in the city centre, 18 rue de Rohan, makes it a witness of urbanization and the local economy at the turn of the century, in a Brittany then marked by its industrial and commercial dynamism.
Lefort's style, trained in Fine Arts, is part of a pivotal period when banking architecture seeks to inspire confidence through the wealth and durability of materials. The use of ceramics and bronze, less common for this type of building, reveals a desire for singularity. Although the accuracy of its location is considered to be "very satisfactory" (note 8/10), no source mentions its current accessibility to the public, suggesting a primarily functional and private vocation.
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