First Site Occupation Ve siècle av. J.-C. (≈ 451 av. J.-C.)
Traces of habitat and silos found.
Ier siècle
Construction of the amphitheatre
Construction of the amphitheatre Ier siècle (≈ 150)
Gallo-Roman period, early architectural style.
Fin du IIIe siècle
Abandonment of the monument
Abandonment of the monument Fin du IIIe siècle (≈ 395)
End of shows and beginning of decline.
XIIe siècle
Reuse as a career
Reuse as a career XIIe siècle (≈ 1250)
Pieres taken for the church of Saint James.
1987–2005
Search and rehabilitation
Search and rehabilitation 1987–2005 (≈ 1996)
Clearing of remains and developments.
16 mai 2013
Registration for historical monuments
Registration for historical monuments 16 mai 2013 (≈ 2013)
Official protection of the ruins.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The remains of the amphitheatre located on Rue Saint-Jacques, rue du Moulin-à-Huile, Place du Cirque, rue du Cirque and impasse des Anciens-Arènes (non-cadastered box, public domain; LX 152 to 154, 256 to 268, 272 to 274, 287 to 293, 295 to 298, 320 to 335, 927, 996 to 1002, 1005, 1006, 1017, 1018, 1020, 1022, 1024, 1026, 1029, 1030, 1034): registration by order of 16 May 2013
Key figures
Anne (de) Rulman - Architect
Documented the amphitheater in 1628.
Pierre Barral - Architect
Co-author of 17th century plans.
Origin and history
The Béziers arenas, built in the first century in the Roman colony Colonia Vrbs Julia Septimanorum Baeterrae, were part of the Narbonese Gaul. Located south of the ancient city, near the theatre, they were partially leaning on the hill Saint-Jacques. Their abandonment occurred at the end of the third century, marking the end of their initial use as a place of performance. The site, occupied as early as the 5th century B.C. (trace of habitats, silos), was reinvested in the Middle Ages as a stone quarry for local constructions, including the church of Santiago.
Between the 12th century and the 1970s, the amphitheatre was used as a support for artisanal activities (potter furnaces) and dwellings, with its soil enhanced. Medieval streets, such as the Rue du Puits des Arènes, still marry today the curve of its remains. The excavations carried out from 1987 to 2005 revealed key elements: steps, vomitories, and an annular gallery of 3.78 m wide. These discoveries confirmed the 17th century architectural descriptions by Anne de Rulman and Pierre Barral.
Amphitheatre, of dimensions 108.3 × 88.6 m, could accommodate 13,700 spectators. Its two-storey facade of arcades, partially cut into the rock, was 17 m high. Built in small limestone, its structure combined material economy (reuse of the hill) and functionality (traffic galleries). No significant carved decoration was found, with the exception of rare mouldings. The remains, listed as historical monuments in 2013, are now accessible in a public garden on a part of the arena and cellara.
Recent studies have validated old assumptions about its architecture, such as the presence of vomiting at the ends of the great axis. However, the exact number of steps and the complete arrangement of access remain unknown. The monument illustrates Roman urbanization in Narbonnaise, where performing buildings played a central role in the social and political life of the cities.
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