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Former convent of the Sisters of Charity or the Sisters of Besançon à Nîmes dans le Gard

Former convent of the Sisters of Charity or the Sisters of Besançon

    1 Rue de la Faïence
    30000 Nîmes
Property of a cultural association

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1900
2000
juillet 1855
Official recognition
15 mai 1862
Laying the first stone
22 septembre 1864
Consecration of the chapel
1864
Table by Melchior Doze
1927
Signs by Joseph Beaufort
13 mai 2015
Partial protection
Aujourd'hui
Aujourd'hui

Heritage classified

Former convent of the Sisters of Charity or of the Sisters of Besançon, sis rue de la Faience: the chapel, the 18th century residence with the pavilion with shells and the garden, in whole, as well as the facades and roofs of the east wing of the cloister (extending the chapel) and the span of the entrance of the cloister to the west of the chapel, set defined on the plan annexed to the decree (Box DP 336): inscription by decree of 13 May 2015

Key figures

Henri Révoil - Diocesan architect Designer of the chapel of the convent.
Mgr Plantier - Bishop Place the first stone in 1862.
Jeanne de Thouret - Founder of the Order Inspiring panels from 1927.
Melchior Doze - Painter Author of the painting of Christ (1864).
Joseph Beaufort - Painter Author of the 1927 panels.

Origin and history

The former convent of the Sisters of Charity, also known as the convent of the Sisters of Besançon, is located in Nîmes in the Gard. It consists of an 18th century residence, characterized by a ground floor, a blind attic crowned with a genoise, and low arched bays. The original carpentry is mostly preserved, while the stone elements (cornchi, frames) contrast with the general coating. A terraced garden, arranged to compensate for the elevation of the land, completes the whole.

The chapel, of imposing volume, presents a central nave flanked by two sides surmounted by stands. Its decor includes statues and a enamelled gable provided by the Virebent factory, as well as ornamental sculptures by Colin. A painting of Christ on a golden background, painted by Melchior Doze in 1864, once adorned the altar, while panels by Joseph Beaufort (1927) trace the story of Jeanne de Thuret, founder of the order. These artistic elements underline the spiritual and memorial role of the place.

The diocesan architect Henri Révoil designed the chapel, whose first stone was laid on May 15, 1862 by Bishop Plantier, before his consecration on September 22, 1864. The religious community, officially recognized in July 1855, was integrated into a fortified whole, reflecting the urban transformations of Nîmes in the 19th century. The building, partially protected since 2015, includes the chapel, the house with its shellfish pavilion, the garden, as well as elements of the cloister.

The historical and architectural coordinates of the convent reveal its anchoring in the Nîmes heritage. The rue de la Faïence, where it is located, and its approximate address (3 Rue Bonfa) testify to its integration into the urban fabric. Owned by a cultural association, the site retains a religious and heritage dimension, although its current accessibility (visits, rental) is not specified in the available sources.

External links