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Assumption of Vuillafans Church dans le Doubs

Patrimoine classé
Patrimoine religieux
Eglise gothique
Doubs

Assumption of Vuillafans Church

    12-14 Place Saint-Vernier
    25840 Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Église de lAssomption de Vuillafans
Crédit photo : Ludovic Péron - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
1429
Construction begins
vers 1515
Production of Swiss tables
1522
Church Consecration
1550
Added pavilion roof
1828 et 1837
Restoration campaigns
20 novembre 1939
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Church: registration by decree of 20 November 1939

Key figures

François Choye - Sculptor Author of the 1702 retable.
J. Ligier - Craftsman Creator of the Chair of 1704.
Isabelle de Neuchâtel - Medieval Lordess Detainor line of Vuillafans.

Origin and history

The church of the Assumption of Vuillafans, located in the Doubs department, is a religious building whose construction begins in 1429. The work spans almost a century, until its consecration in 1522. Its architecture combines a arched central nave, framed by two sides, and a bell tower topped by a pavilion roof added in 1550. These elements reflect the late Gothic and early Renaissance styles, characteristic of the transition between the two epochs.

The church is marked by two major restoration campaigns, attested by the dates 1828 (door of entry) and 1837 (horse). These interventions were intended to preserve an already old building, demonstrating its importance to the local community. His inscription as a historic monument in 1939 devoted his heritage value, linked to his medieval history and exceptional furniture.

The church furniture reveals a strong Swiss or Rhine influence, explained by the position of Vuillafans on the salt road linking Salins to the Helvetic and Rhineland countries. Several pieces are protected as historical monuments, such as the altarpiece of 1702 (sculpted by François Choye), the pulpit of 1704 (work by J. Ligier), or paintings by the Swiss school dating from around 1515. These elements illustrate the cultural and artistic exchanges between Franche-Comté and neighbouring regions.

The church now depends on the parish of the Haute-Vallée de la Loue, attached to the diocese of Besançon. His history is also linked to the family of Neuchâtel, notably via Isabelle de Neuchâtel, who held the village in the Middle Ages. This seigneurial past and local commercial activities (such as the salt trade) have shaped its heritage identity.

Architecturally, the building is distinguished by its warhead vaults, openwork bays, and its bell tower, typical of the rural churches of the region. The combination of Gothic and Renaissance styles, as well as the richness of its furniture, make it a remarkable testimony of sacred art in Franche-Comté between the 15th and 16th centuries.

External links