Creation of the "Saint-Eustache equestrian" 1734 (≈ 1734)
Masterpiece of the Niverese earthenware exhibited.
début du XIXe siècle
Construction of the former gendarmerie
Construction of the former gendarmerie début du XIXe siècle (≈ 1904)
Building housing the museum today.
troisième quart du XIXe siècle
Collection Constitution by Auguste Grasset
Collection Constitution by Auguste Grasset troisième quart du XIXe siècle (≈ 1962)
Main collection period.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Auguste Grasset - Nivernais collector
Founder of museum collections.
Origin and history
The Auguste-Grasset Museum derives its name and essence from the collections gathered in the third quarter of the 19th century by Auguste Grasset, a Niverese enthusiast. This cabinet of curiosities, typical of 19th-century eclecticism, gathers objects as diverse as an exceptional Niverese faience (such as the Equestrian St. Eustatius of 1734), Egyptian, Greek and Roman antiques, or weapons and ornaments of the South Pacific islands. The state deposits complete this set, offering a panorama from prehistory to extra-European civilizations, including rare musical instruments and works by local landscape painters.
Located in a former gendarmerie of the early 19th century in Varzy (although the administrative address sometimes mentions Beuvron), the museum is distinguished by its encyclopedic approach, mixing national archaeology, decorative arts and military collections. Among its major assets are an interactive music salon, a rich collection of earthenware from Nevers and Varzy, and a set of objects reflecting the eclectic tastes of its founder. Its label Musée de France underlines its heritage importance, despite its sometimes imprecise geographical location (noted 5/10 in terms of reliability).
The building itself, located at Place de la municipale or 19 Rue de la Severie in Varzy (département de la Nièvre, code Insee 58029), embodies the legacy of an era when gendarmerie also served as places of cultural conservation. The museum thus offers a journey through centuries and continents, while firmly anchoring its identity in the Nivernais terroir, as evidenced by the local faiences and landscapes painted by 19th century regional artists.