Vandalism Act 13-14 septembre 2013 (≈ 14)
Damage to the religious monument.
XVIIe siècle
Origin of carved base
Origin of carved base XVIIe siècle (≈ 1750)
Renaissance base re-used in the calvary.
1827
Reconstruction of the calvary
Reconstruction of the calvary 1827 (≈ 1827)
Order by the heirs Le Beller.
19 mai 1965
Historical Monument
Historical Monument 19 mai 1965 (≈ 1965)
Official protection of the calvary and altar.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Calvary on base and altar (cad. G 704): classification by decree of 19 May 1965
Key figures
Vincent Le Beller - Initial sponsor (family)
Heirs financed reconstruction in 1827.
Jean Cabedoche - Manufacturer
Author of the works in 1827.
Gustave Geffroy - Writer and critic
Describes the ordeal in 1905.
Origin and history
Melrand Calvary, located in the road of Guémené in Morbihan, is a granite statuary set classified as a Historic Monument since May 19, 1965. Although its current construction dates back to 1827, it incorporates older elements, including a sculptured Renaissance-style base (XVIth or XVIIth century) representing episodes of the Passion. This use suggests the existence of an anterior ordeal on the site. The monument is distinguished by its Trinitarian structure: God the Father, surmounted by the dove of the Holy Spirit, dominates Christ on the cross, while the Virgin and Saint John, placed exceptionally at the foot of the cross, are dressed in 16th century Breton costumes.
Sponsored in 1827 by the heirs of Vincent Le Beller du Rongoëdo, the calvary was made by the mason Jean Cabedoche, as the inscription engraved on his base attests. The ensemble is based on a three-sided base, including a curved altar and a three-degree walk. The barrel carries the busts of the twelve apostles in the high relief, and a knot adorned with anangelot heads separates the crusillon from the barrel. The iconography deviates from traditional representations, with scenes such as the Portement de Croix and the Envelissement, described by Gustave Geffroy in 1905 as "lefts and children", mixing dramatic intent and caricatureal performance.
The Calvary suffered an act of vandalism on the night of 13-14 September 2013, in a context of degradation targeting religious monuments in the canton. Despite these events, there remains a remarkable testimony of Breton piety, combining medieval heritage and 19th century interventions. Its protection under the Historic Monuments underscores its heritage importance, both for its architecture and for the sculptures that adorn its base and barrel.
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