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Chapel of the White Penitents of Aigues-Mortes dans le Gard

Patrimoine classé
Patrimoine religieux
Chapelle baroque et classique
Gard

Chapel of the White Penitents of Aigues-Mortes

    Rue de la République
    30220 Aigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Chapelle des Pénitents blancs dAigues-Mortes
Crédit photo : Daniel Villafruela. - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
1625
Foundation of the Brotherhood
1668
Construction of the chapel
1796
Repurchase after the Revolution
1817
Fresco by Xavier Sigalon
1818
Neoclassical expansion
6 août 2007
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The chapel (cad. AB 1): classification by decree of 6 August 2007

Key figures

Xavier Sigalon - Romantic painter Author of the fresco of Pentecost (1817).
Auguste Glaize - Montpellierrain Painter Author of paintings on the life of the Virgin (1846-1847).
Charles Durand - Architect engineer Directed neoclassical enlargement (1818).

Origin and history

The Chapel of the White Penitents of Aigues-Mortes, located in the Gard department, is one of the oldest in the Camargue. Founded in 1625 by dissidents of the Brotherhood of the Grey Penitents, it is placed under the name of the Virgin and the Holy Spirit, symbolized by a dove. Its construction, financed by the Brotherhood, began in 1668. During the Revolution, it became the seat of the Club des Sans-Culottes, which dispersed its liturgical objects. Repurchased in 1796, it temporarily served as a parish church before being restored by the Penitents, with the addition of a semicircular choir in 1818.

The chapel is distinguished by its limestone and cut stone architecture, including a rotating staircase and a bas-relief facade depicting penitents encased in the form of hare heads, evoking a local song and divine light. Classified as a Historical Monument in 2007 (after a first inscription in 1911), it houses major works: a fresco by Xavier Sigalon (1817) illustrating Pentecost, and paintings by Auguste Glaize (1846-1847) on the life of the Virgin. Its liturgical furniture, used during processions, completes this heritage.

During the Revolution, the chapel was stripped and transformed into a political meeting place. In the 19th century, the engineer Durand directed his neo-classical enlargement, while Sigalon painted a monumental scene (4x12.20 m). The choir, connected by a serlienne, extends this fresco with a cul-de-four painting. Natural light, designed to highlight this decor, and symbols such as the Holy Spirit (colombe) or the hare-headed hoodules, reflect the values of the brotherhood: penance, spirituality and light.

External links