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Chapel of Persia à Espalion dans l'Aveyron

Patrimoine classé
Clocher-mur
Chapelle romane
Aveyron

Chapel of Persia

    Chemin de Perses
    12500 Espalion
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Chapelle de Perse
Crédit photo : Jaume sur Wikipédia français - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
1060
Donation to the Abbey of Conques
1312
Union of Priories
1524
Translation of relics
1537
Priory secularization
1862
Historical monument classification
1902
Restoration by Laffillé
Aujourd'hui
Aujourd'hui

Heritage classified

Chapelle de Persia : liste de 1862

Key figures

Hugues de Calmont - Lord and donor Persia ceded to the Abbey of Conques in 1060.
Foy de Calmont - Wife of Hugues Co-donator of the monastery in 1060.
Bégon de Calmont - Son of Hugues Co-signatory of the donation charter.
François d'Estaing - Bishop of Rodez Translates the relics in 1524.
Henri Laffillée - Architect restorer Directs the work of 1902.

Origin and history

The chapel Saint-Hilarian-Sainte-Foy de Persia, located in Espalion, Aveyron, is a 11th century Romanesque religious building. It was mentioned in 1060 when Hugues de Calmont, his wife Foy and their son Bégon donated it to the Abbey of Conques. The site, then called alleu, includes a church dedicated to St Hilarian, a presbyteral fief and tithes. After this donation, the church is also known as Saint Foy, in connection with the donee abbey.

In 1312, the priory of Persia was united with that of Campagnac to provide for five monks, reduced to two a century later. The church served first as a parish church for Espalion, before losing this status in the 18th century. In 1524, Bishop Francis of Estaing proceeded to translate the relics of Saint Hilarian. After the secularization of the priory in 1537, the buildings deteriorated: declared massures in 1664, they were repaired in the sixteenth century.

Ranked a historic monument in 1862, the chapel was restored in 1902 by Henri Laffillé, who revealed coatings painted on the vaults of the transept. A second campaign in 1957, led by architect Dufour, removed other painted decorations. The building, oriented east-west, is distinguished by its western Romanesque portal with carved tympanum (representing Pentecost and the Last Judgment) and its bell tower-wall with four bays. Two portals, one novel and the other Gothic, pierce its south facade.

Inside, the three-span nave, separated from the choir by a triumphal arch, is surmounted by a polygonal bedside decorated with modillons. Two side chapels, added in the 15th century north side, complete the whole. Among the remarkable elements are a 12th century Virgin with Child, classified in 1908, and a 13th century fire on the facade. The chapel, located on a common section at via Podiensis and GR 6, overlooks the alluvial terrace of the Lot.

The western portal, protected by a modillon awning, presents three historiated voussures: the Celestial Court (angels with books), the archangels Gabriel and Raphael, and a crowned figure supposed to be the founder. The tympanum illustrates the Trinity, the Virgin and the Apostles at Pentecost, while the lintel depicts the Last Judgment, with a balance of souls, Christ in glory surrounded by the Tetramorph, and an infernal scene where Satan and demons torment the damned.

External links