Construction begins 1494 (≈ 1494)
Commanded by Jeanne de Hautefort.
1592
Taken by Catholics
Taken by Catholics 1592 (≈ 1592)
Sitting during religious wars.
1604
Completion of work
Completion of work 1604 (≈ 1604)
Under Henri de Saint-Astier.
1652
Seat during the Fronde
Seat during the Fronde 1652 (≈ 1652)
Invested by the slingers.
29 mars 1974
Historical monument classification
Historical monument classification 29 mars 1974 (≈ 1974)
Official protection of the castle.
2023
Turn of *Fortune de France*
Turn of *Fortune de France* 2023 (≈ 2023)
Decor for the TV series.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The castle (Box B 552) : classification by decree of 29 March 1974
Key figures
Jeanne de Hautefort - Initial sponsor
Veuve de Jean de Saint-Astier, launches the works.
Henri de Saint-Astier - Protestant Owner
Finish the castle in 1604.
Origin and history
The Château des Bories, located in Antonne-et-Trigonant (Dordogne), was built at the edge of the 15th and 16th centuries. It consists of a rectangular house flanked by two round towers and a square tower, surrounded by moat once fed by Isle. This castle, a private property, has been classified as a historic monument since 29 March 1974 and is situated in a preserved landscape, close to the National Road 21.
The construction began in 1494 for Jeanne de Hautefort, widow of Jean de Saint-Astier, on the remains of an old den. The works were completed in 1604 under Henri de Saint-Astier, a Protestant whose castle was taken by Catholics in 1592 during the wars of religion. In 1652 he was seated during the Fronde. At the Revolution, although condemned to demolition, only its outer walls were razed.
Architecturally, the castle combines defensive elements (mâchicoulis, ditches, drawbridge) and Renaissance innovations, as a monumental staircase forerunner of 17th century models. The guard room, vaulted with gothic veins, illustrates this stylistic transition. In 2023, the site served as a decor for the Fortune series of France, strengthening its contemporary cultural anchor.
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