Construction of the castle 1831 (≈ 1831)
Work by Antoine-Martin Garnaud for Jobert-Paquot.
1914-1918
Damage during the First War
Damage during the First War 1914-1918 (≈ 1916)
Dung roof, wrecked inside.
1920
Post-war restoration
Post-war restoration 1920 (≈ 1920)
Respect for the ancient state, integration woodwork.
30 avril 1999
Registration for Historic Monuments
Registration for Historic Monuments 30 avril 1999 (≈ 1999)
Façades, roofs and lounge protected.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs; Central lounge on the ground floor (Box AD 3): registration by decree of 30 April 1999
Key figures
Antoine-Martin Garnaud - Architect
Price of Rome, designer of the castle.
Monsieur Jobert-Paquot - Sponsor
Owner and builder of the building.
Origin and history
The Château de Courcelles is a bourgeois residence built in the 2nd quarter of the 19th century (1831) by the Parisian architect Antoine-Martin Garnaud, winner of the Prix de Rome in 1817. Sponsored by Mr. Jobert-Paquot, this neoclassical "small palace" breaks with the traditional codes of country houses. Its rectangular plane, its two levels rhythmized by columns and pilasters, and its central pediment make it a remarkable example of style. The facades, organized in three groups of three holes, reflect a rigorous symmetry, while the interior, like the living room on the ground floor, reproduces the exterior motifs with ionic pilasters.
Damaged during the First World War (drained roof, wrecked interior), the castle was restored in 1920 in accordance with its original state. The two-room Louis XV woodwork, from a house destroyed in Charleville, is integrated. The building, built of coated rubble, is surrounded by a landscaped park. In 1999, its facades, roofs and the central living room were inscribed in the Historical Monuments, preserving this testimony of 19th century bourgeois architecture.
Located in the suburbs of Reims, in the Great East, the castle illustrates the Parisian influence in the regional residences of the time. Its architect, Garnaud, applies the neoclassical principles learned during his stay in Rome, combining geometric rigor and decorative elegance. Today, the site remains a significant example of the Champagne heritage, between local history and national architectural heritage.
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