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Castle of Chassignole en Saône-et-Loire

Saône-et-Loire

Castle of Chassignole

    Chassignolles
    71460 Bonnay

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1464
First proven possession
XVe siècle
Initial construction
vers 1560
Acquisition by François Dormy
1592
Sale to Robert de Belleperche
1777
Transmission to Louis-Hugues de La Porte
fin XVIIe siècle
Architectural changes
XIXe siècle
Important restoration
Aujourd'hui
Aujourd'hui

Key figures

Louis de Glorienne - Owner in 1464 First certified owner of the castle.
François Dormy - President of the Paris Parliament Acquire the fief around 1560.
Pierre Dormy - Son of François Dormy Sell the castle in 1592.
Robert de Belleperche - New owner in 1592 Buy the castle from Pierre Dormy.
Louis-Hugues de La Porte - Lord of St. Nizier-d-Azergues Owner from 1777.

Origin and history

The castle of Chassignole, located in Bonnay in Burgundy-Franche-Comté, is a 15th century building, profoundly transformed in the 17th and 19th centuries. Its almost square plane is reinforced by circular and square towers, including a turret adjacent to a massive tower. A balustrade gallery connects two of these towers, adding an aesthetic dimension to the initial defensive structure. The castle, private property, is not open to the public.

The history of the castle probably begins in the 15th century, with a first mention in 1464, when it belongs to Louis de Glorienne. In the middle of the 16th century, the fief passed to François Dormy, president of the Paris Parliament, then to his son Pierre, who sold it in 1592 to Robert de Belleperche. Major changes took place at the end of the 17th century, followed by an important restoration in the 19th century. In 1777, the property was transferred to Louis-Hugues de La Porte, seigneur of Saint-Nizier-d-Azergues.

Architecturally, the castle illustrates stylistic evolutions between the Middle Ages and the modern era. The circular towers, typical of medieval fortifications, coexist with Renaissance elements and 19th century additions, such as the balustrade terrace. Although modified, the building maintains a visual unit, reflecting its adaptation to the residential and aesthetic needs of successive periods.

External links