Construction of the cross XVe ou XVIe siècle (≈ 1650)
Estimated period of realization, flamboyant style.
14 octobre 1963
Registration for historical monuments
Registration for historical monuments 14 octobre 1963 (≈ 1963)
Official protection by ministerial decree.
20 mars 2006
Repeal of protection
Repeal of protection 20 mars 2006 (≈ 2006)
Withdrawal of registration for historical monuments.
XXe ou XXIe siècle
Disposal and partial storage
Disposal and partial storage XXe ou XXIe siècle (≈ 2007)
Deposit by the municipality, vestiges at an individual.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Information non disponible - No character identified
The source text does not mention any related historical actors.
Origin and history
La Croix de Cemetery de Champagnac is a monumental cross located in the Cantal department, in the Auvergne-Rhône-Alpes region. Dating from the 15th or 16th century, it was initially implanted in the ancient cemetery surrounding the parish church of Prodelles, before being transferred to Champagnac. Its architectural style reflects late flamboyant art, with decorative elements such as four-leaf florets and an openwork nimbe.
The cross had two carved faces: to the north, a Christ crowned under the inscription INRI; to the south, a Virgin with Child, also crowned, sheltered under a threshing dais. Two small busted characters decorated the transverse arms, one of which disappeared. Due to its advanced degradation, the municipality dismantled the cross in the 20th century. Only the base and part of the barrel, preserved in an individual, remain today.
Designated a historic monument in 1963, this protection was repealed in 2006. The remains, fragmented and incomplete, are divided into two distinct locations. The barrel, characterized by a circular knot in larme, illustrates the know-how of the stone tailors of the time. Its iconography combines religious symbols (crowns, nimbe) and narrative details (secondary persons), typical of medieval cemetery crosses.
The monument bears witness to the importance of monumental crosses in the funeral spaces of the Renaissance. These buildings served both as a spiritual landmark for the deceased and as an identity marker for the parish community. Their carved decoration, often sponsored by local donors, reflected regional beliefs and crafts.
Today, the lack of restoration and the dispersion of fragments raise questions about the preservation of rural heritage. Although disused, this cross remains a notable example of Cantalian sacred art, at the intersection of late Gothic traditions and the early Renaissance in Auvergne.