Foundation of the Order 1617 (≈ 1617)
Creation of the Daughters of Calvary in Poitiers.
1626
Start of work
Start of work 1626 (≈ 1626)
Construction of the convent and chapel.
1655
Consecration of the chapel
Consecration of the chapel 1655 (≈ 1655)
After 20 years of work and corrections.
1789-1799
Sale as a national good
Sale as a national good 1789-1799 (≈ 1794)
Transformed into college after the Revolution.
1866
Neo-Gothic renovation
Neo-Gothic renovation 1866 (≈ 1866)
Major stylistic modification of the chapel.
1906
Conversion to preau
Conversion to preau 1906 (≈ 1906)
Change in school use of the building.
1967
Historical monument classification
Historical monument classification 1967 (≈ 1967)
Official protection of the chapel and the altarpiece.
1987
Restoration and winding
Restoration and winding 1987 (≈ 1987)
Back to the original 17th century aspect.
2000
Opening of the art centre
Opening of the art centre 2000 (≈ 2000)
Inauguration of the Kiosk, contemporary space.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle des Calvairiennes, including the retable it contains (Box F 25): by order of 29 June 1967
Key figures
Pierre Biardeau - Sculptor and craftsman
Author of the tuffeau altarpiece and the *Descent of the cross*.
Origin and history
The Calvairian chapel, located in Mayenne on the right bank of the eponymous river, was built in the 17th century as part of a convent belonging to the Daughters of Calvary, a religious order founded in 1617 in Poitiers. Its construction, begun in 1626, stowed over two decades, marked by initial structural defects that delayed its consecration until 1655. The small convent was sold as a national good during the French Revolution and then converted into a college. Today only the chapel, part of the cloister, and the house of the chaplain remain.
The building underwent a major transformation in 1866, adopting a neo-Gothic style, before being converted into a preau in 1906. Restorations carried out from 1987 gave him his original appearance, highlighting his bossage façade, his oculus, and his unique liturgical plan with two choirs separated by a altarpiece. This tuffeau altarpiece, by Pierre Biardeau, originally housed a terracotta carved group representing a Descent of the Cross, now preserved in the church of Saint-Pierre de Parné-sur-Roc, replaced by a plaster copy since 1987.
Ranked a historical monument in 1967, the chapel illustrates the religious architecture of the Great Century, while embodying the upheavals of the Revolution and modern adaptations. Since 2000, it has hosted the contemporary art centre Le Kiosque, offering exhibitions of graphic design and current art, mixing heritage and creation. The remains of the convent, though partial, bear witness to the history of the Daughters of Calvary, whose rule required this particular spatial provision for their offices.
Historical sources also highlight the importance of the site in the Mayen religious landscape, marked by the presence of Mayenne and its role in local life. The chapel, owned by the commune, remains a hybrid place, both a memory of the past and a space dedicated to contemporary art, reflecting the cultural and architectural changes of the region.
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