First possible indication Xe siècle (≈ 1050)
Suspected Dependence of the Abbey of Conques
XIIe–XIIIe siècles
Initial construction
Initial construction XIIe–XIIIe siècles (≈ 1350)
Nef and apse vaulted dogives
vers 1500
Paintings
Paintings vers 1500 (≈ 1500)
Christ in majesty and tetramorph
XVe siècle
Partial reconstruction
Partial reconstruction XVe siècle (≈ 1550)
Overeating or changing the nave
1969
Classification of paintings
Classification of paintings 1969 (≈ 1969)
Protection under objects
août 2008
Registration MH
Registration MH août 2008 (≈ 2008)
Protection of the entire chapel
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The chapel (Box A1,212): inscription by order of 20 August 2008
Key figures
Saint Namphaise - Martyr represented
Scene painted in the apse
Sainte Marie-Madeleine - Holy patron saint
Painted in the apse
Louis d'Alauzier - Historian and archaeologist
Studyed the chapel (1968)
Origin and history
The chapel Sainte-Marie-Madeleine de Guirande, located in the Lot, is a religious building whose origins could go back to the 10th century, evoked in the outbuildings of the Abbey of Conques. From the 12th century on, it became a dependency of the priory of Notre-Dame du Chalard, a bond which it maintained until the 18th century. Its construction spanned mainly in the 12th and 13th centuries, with a carpented nave and a vaulted apse of square dogives resting on caps carved of masks, typical of this period.
A flat bedside restaurant with an exceptional painted décor dated around 1500. There is a Christ in majesty surrounded by the tetramorph (symbols of the evangelists: eagle, lion, bull, man), inspired by the vision of Ezekiel. Two hagiographic scenes complete the ensemble: the martyrdom of Saint Namphaise (holding its entrails) and the delight of Saint Mary Magdalene. These paintings, classified in 1969, illustrate late medieval religious art.
The chapel underwent a reconstruction or elevation of its nave in the 15th century, marking an architectural evolution. It has been listed as a historic monument since August 2008, recognizing its heritage value. The stone masks of the caps (XIIth–XIIIth centuries) and the frescoes of the early 16th century testify to its artistic and spiritual importance in the region.
The site, owned by Felzins, is part of a rural landscape marked by the influence of medieval priories and abbeys, such as Conques or Le Chalard. These institutions played a central role in the religious, economic and social organization of the Occitan countryside, where chapels such as Guirande served as places of worship and assembly for local communities.
The archaeological and historical sources, including the works of Louis d'Alauzier (1968) and the heritage archives, underline the originality of his iconography and his relative state of conservation. Today, the chapel remains a precious testimony of Romanesque and Gothic art in Occitanie, between monastic heritage and popular expression of faith.
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