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Castle of Angers en Maine-et-Loire

Patrimoine classé
Patrimoine défensif
Château de la Loire
Forteresse

Castle of Angers

    2 Promenade du Bout du Monde
    49100 Angers
State ownership
Castle of Angers
Château dAngers
Château dAngers : vue aérienne
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Crédit photo : Tango7174 - Sous licence Creative Commons

Timeline

Âge du Fer
Antiquité
Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
XIXe siècle
Époque contemporaine
100 av. J.-C.
0
1200
1300
1400
1500
1900
2000
vers 4500 av. J.-C.
Construction of a neolithic cairn
80-10 av. J.-C.
Oppidum of the Andecaves
1230-1242
Construction of the enclosure by Louis IX
1373-1382
Command of the hanging of Revelation
1409
Birth of René d'Anjou
1585
Partial destruction by order of Henri III
1944
Allied bombardments
1954
Installation of the curtain of Revelation
2009
Fire of the Royal Home
Aujourd'hui
Aujourd'hui

Heritage classified

This building is part of the national estate of Angers Castle established by Decree No.2017-720 of 2 May 2017. The interior parts were classified as historic monuments in full and automatically by this decree.

Key figures

Louis IX (Saint Louis) - King of France Sponsor of the fortified enclosure (1230-1242).
Yolande d'Aragon - Duchess of Anjou Mother of René d'Anjou, modernises the chapel (1405-1413).
René d'Anjou - Duke of Anjou and King of Naples Born in the castle, built gallery and castle (XVth).
Henri III - King of France Ordone partial destruction in 1585.
Bernard Vitry - Chief Architect Restore the chapel and build the gallery (1954).
Macé-Delarue - Master of Louis I's works Supervised 14th century renovations.

Origin and history

The castle of Angers, also called the castle of the Dukes of Anjou, is a fortress built in the 13th century by Louis IX on a schistose promontory overlooking Maine. Its strategic location, occupied as early as Neolithic (cairn about 4500 B.C.) then by a Gallic oppidum and Gallo-Roman enclosure, made it a key defensive site. The current construction, launched around 1230, forms an 800-metre enclosure punctuated with 17 round towers, designed as a royal outpost against Pierre Mauclerc's threats.

Transformed into a seigneurial residence in the 15th century by the Dukes of Anjou, the castle saw René d'Anjou born in 1409 under the impulse of Yolande d'Aragon. This period marked the addition of the royal house, the Gothic chapel (1405-1413) dedicated to Saint John the Baptist, and the gallery of King René (1435-1453), bearing witness to the splendor of the Angelian court. The chapel then houses the relic of the True Cross, symbol of the dynasty. The architectural changes reflect this duality: preserved military enclosure, while the inner courtyard is enriched with residential buildings.

The sixteenth century was marked by the wars of Religion: in 1585 Henry III ordered the partial destruction of the towers, reduced to their base. The castle then became a prison, a military arsenal (19th century), then suffered damage during the 1944 bombings. Since 1954, it has hosted the curtain of the Apocalypse, a 14th century textile masterpiece commissioned by Louis I of Anjou. Ranked a historic monument in 1875, the site is now managed by the National Monuments Centre and attracts more than 190,000 annual visitors, including after its 2009 post-fire restoration.

Archaeological excavations (1992-2003) revealed neolithic, Gallic and Roman remains, including a funeral cairn and the ramparts of the Andecava Oppidum. These discoveries, which have been part of the tour since 2009, highlight the site's continued occupation over more than 6,000 years. The gallery of the Apocalypse, built in 1954 by Bernard Vitry, is part of the footprint of the old Ducal buildings, while the medieval ditches, transformed into gardens, offer a unique landscape.

The architecture of the castle illustrates the defensive and residential evolutions: the door of the Champs (XIIIth century), equipped with sophisticated defence systems (double harrow, assumer), contrasts with the asymmetrical chestnut (1456) decorated with the weapons of René d'Anjou. The chapel, with its angeline vaults and armorial keys, embodies international Gothicism, while the large Comtal Hall (X-15th centuries) shows the successive adaptations, from Romanesque bays to Gothic windows. These elements make the Château d'Angers an exceptional testimony to the military and princely history of western France.

External links