Acquisition by Gustave Le Bienvenue-Dubusc 1837 (≈ 1837)
Work and addition of a carillon.
XVIIIe siècle
Construction of the current castle
Construction of the current castle XVIIIe siècle (≈ 1850)
Reconstruction by the family of Rémont.
12 avril 2001
Registration for Historic Monuments
Registration for Historic Monuments 12 avril 2001 (≈ 2001)
Protection of facades, roofs and moats.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The facades and roofs of the house and commons surrounding the entrance courtyard; old moats (cad. AB 106): registration by order of 12 April 2001
Key figures
Famille de Rémont - Initial constructors
The castle was rebuilt in the 18th century.
Gustave Le Bienvenu-Dubusc - Owner in the 19th century
Buyer in 1837, sponsor of the works.
Origin and history
The castle of Arnicourt, located in the village of the same name in the Ardennes (Great East), is an 18th-century building, profoundly renovated in the 19th century. It consists of a body of chalk houses on two levels, flanked by asymmetric wings (brick on the left, chalk on the right) surrounding an entrance courtyard. The roof, called at La Mansart, and the remains of ancient moat testify to its architectural heritage. Inside, three rooms on the first floor preserve 18th-century glazed walls, rare and preserved elements.
The present castle was rebuilt in the 18th century by the family of Rémont, on the remains of an older building of which only moat remains. In 1837, Gustave Le Bienvenu-Dubusc acquired it and undertook important work, including the addition of a carillon on the roof – now extinct, with the exception of its lantern. These 19th-century changes, combined with later developments, marked its architectural evolution. The monument was inscribed in the Historic Monuments in 2001, protecting its facades, roofs, commons and moat.
Private property, the castle is located below the village of Arnicourt, in a preserved setting. Its history reflects the transformations of aristocratic residences in Champagne-Ardenne, between medieval heritage (douves) and adaptations to tastes of the eighteenth and nineteenth centuries. The sources also mention his carillon, symbol of a prestige today erased, as well as the interior panellings, witnesses of his past fascist.
Announcements
Please log in to post a review