First certification of the domain 911 (≈ 911)
Treaty of Saint-Clair-sur-Epte mentions Beaumesnil.
XIIIe siècle
Harcourt Fortress
Harcourt Fortress XIIIe siècle (≈ 1350)
Construction of a castle by Richard d'Harcourt.
1418–1449
English occupation
English occupation 1418–1449 (≈ 1434)
Castle confiscated during the Hundred Years War.
1633–1640
Construction of the current castle
Construction of the current castle 1633–1640 (≈ 1637)
Work by Jean Gaillard for Jacques Le Conte.
1760
Wedding Bethune-Martel
Wedding Bethune-Martel 1760 (≈ 1760)
Union seals transmission to Bethune-Charost.
1927
Sale to Audrey Emery
Sale to Audrey Emery 1927 (≈ 1927)
Switch to an American owner.
1939
Acquisition by Fürstenberg
Acquisition by Fürstenberg 1939 (≈ 1939)
Future creation of the binding museum.
1979
Opening of the museum
Opening of the museum 1979 (≈ 1979)
Collection of 450 antique bindings exposed.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
See town of : Beaumesnil
Key figures
Richard d'Harcourt (1180–1239) - Lord of Beaumesnil
Constructed the medieval fortress in the 13th century.
Jacques Le Conte (–1641) - Marquis de Nonant
Sponsor of the current Baroque castle.
Marie Dauvet des Marets - Marquise de Nonant
Completed the work after 1641.
Jean Gaillard - Architect
Designed the castle between 1633 and 1640.
Armand Joseph de Béthune (1738–1800) - Duke of Charost
Owner guillotined during the Revolution.
Audrey Emery - American heiress
Owner from 1927 to 1937.
Jean Fürstenberg (1890–1982) - Bibliophile and patron
Founded the binding museum in 1979.
Origin and history
The Château de Beaumesnil, located in the Eure in Normandy, has its origins since 911, when a domain is attested on this site by the Treaty of Saint-Clair-sur-Epte. In the 13th century, the Harcourt family established a fortress, of which today only a feudal motte remains. The current Louis XIII Baroque castle was built between 1633 and 1640 by Jacques Le Conte, Marquis de Nonant, on the plans of architect Jean Gaillard. The works, probably unfinished, were finalized by his widow, Marie Dauvet des Marets, whose initials "MDC" adorn the facades.
Over the centuries, the castle changed hands through alliances and inheritances, passing from Harcourt to Tournebu, then Lorraine and Le Conte de Nonant. In the 18th century, side pavilions were added, and the estate was embellished by French-style gardens. During the Revolution the castle was looted, and the son of the Duke of Charost, the then owner, was guillotined. In the 19th century, the Duke of Laval restored the castle and added a chapel in 1820, thanking the Bourbons for their return.
In 1927, the castle was sold to an American heiress, Audrey Emery, who then bequeathed it to her husband, Grand Duke Dimitri Pavlovich Romanov. Since 1939, he has belonged to the Fürstenberg family, which installed a binding museum there in 1979. The estate, surrounded by moat and a park of 80 hectares, includes ornamental gardens, a feudal motte, and commons. Ranked a historic monument, it illustrates the architectural and social evolution of Normandy, mixing Renaissance, Florentine and Dutch influences.
The castle houses richly decorated interiors, including a library with Montmorency emblems, a large Louis XV lounge, and private apartments. The facades, made of brick and stone, are decorated with mascarons and pediments inspired by the Commedia della Arte. The binding museum exhibits about 450 ancient pieces, tools and bindings, bearing witness to European handicrafts from the 17th and 18th centuries. The Fürstenberg Foundation, the current owner, has preserved this heritage since 1966.
Among the notable owners are the Counts of Meulan (XI–XII century), the Harcourt (XII–XV century), and the Bouton de Chamilly (XVII century). The castle, a symbol of power with its lantern and decorative moats, also reflects historical upheavals, such as the English occupation during the Hundred Years War (1418–1449) or revolutionary spoliations. Today, it combines tourism, heritage conservation and cultural life, perpetuating nearly a thousand years of Norman history.
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