Construction of North and South Wings XVIe siècle (≈ 1650)
Old parts still visible today.
1792
Revolutionary Pillage
Revolutionary Pillage 1792 (≈ 1792)
Destruction of archives and library by fire.
2e quart du XVIIIe siècle
Major transformation of the castle
Major transformation of the castle 2e quart du XVIIIe siècle (≈ 1837)
Addition of interior decorations and amenities.
1990
Historical Monument
Historical Monument 1990 (≈ 1990)
Protection of the castle, common, dovecote and mill.
début XXe siècle
Sale of Beauvais tapestries
Sale of Beauvais tapestries début XXe siècle (≈ 2004)
Dispersión of exceptional furniture and decorations.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Castle proper; common; Pigeon; mill, including machinery; bridge over the Sornin; bridge over the mill bay (cad. Charlieu AL 31; Saint-Denis-de-Cabanne A 17, 18, 20, 25, 747): by order of 30 June 1990
Key figures
François Boucher - Painter and draftsman
Author of the tapestry boxes *Italian festivals*.
Delanois - Cabinetist
Creator of furniture today at the Louvre.
Origin and history
The Château de Gatellier, located in Saint-Denis-de-Cabanne (with a part on Charlieu), is a historical monument dating back to the 16th century, with major transformations in the 2nd quarter of the 18th century. The present building preserves two 16th century wings, integrated into a structure mainly from the 18th century. This castle was decorated with a prestigious curtain of tapestries of Beauvais, Les Fêtes italiennes, after cartons of Boucher, sold in the early twentieth century and today preserved in the United States. An associated furniture, signed Delanois, is now on display at the Louvre.
In 1792, the castle was looted and its archives and library destroyed by fire. Access to the estate is through an 18th century stone bridge with two arches, crossing the river. Nearby, an abandoned mill is distinguished by its roof in the shape of a ship's hull, while a dovecoier-tour of the eighteenth century, with a stone dome and a lantern, marks the entrance. These elements, as well as the commons and the bridge over the mill's bay, have been protected by a classification under the Historic Monuments since 1990.
The estate illustrates the architectural evolution and vicissitudes of an aristocratic residence, between decorative fascists (tapseries, exceptional furniture) and violent episodes (revolutionary pickle). The industrial (moulin, bief) and agricultural (pigeon) remains also testify to its anchoring in a rural territory, where the castle played a central economic and symbolic role.
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