Construction of the castle 1743 (≈ 1743)
Start of work for Jean-François de Tournier.
1775
Gardening contract
Gardening contract 1775 (≈ 1775)
Bernard Casse maintains vegetable gardens and orange trees.
1792
Revolutionary inventory
Revolutionary inventory 1792 (≈ 1792)
Detailed description of the gardens and orange trees.
1890
Changing gardens
Changing gardens 1890 (≈ 1890)
Added a box embroidery in fleur de lys.
1955
Establishment of the municipality
Establishment of the municipality 1955 (≈ 1955)
Larra became independent of Granada.
1993
Historical Monument
Historical Monument 1993 (≈ 1993)
Protection of the castle, gardens and outbuildings.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
18th century parts of the castle (facades, roofs and interior parts); dovecote, painted facade of the old chapel, brick building with double apse (located on the right when returning to the courtyard); garden and park, including the well and dryer of the castle (cad. I 1228, 1229, 1145, 1117, 1193) : entry by order of 10 December 1993
Key figures
Jean-François de Tournier Vaillac - Sponsor
President of the Parliament of Toulouse, owner.
Guillaume Cammas - Architect
Designer of the castle and gardens.
Jean Loubeau - Sculptor
Author of the interior stucco.
Bernard Ortet - Locker
Creator of the wrought iron ramp.
Bernard Casse - Chief gardener
Crop management in 1775.
Origin and history
The château de Larra, located in the commune of the same name in Haute-Garonne (Occitanie), is a marina built in 1743 for Jean-François de Tournier Vaillac, President of mortar at the Toulouse Parliament. The building, designed by architect Guillaume Cammas, presents a square Italian plan with four identical facades, decorated with a central forebody and series of nine openings on two levels. The interiors, divided into nine equal squares, house reception rooms decorated with stuccos by Jean Loubeau, marble fireplaces, and a wrought iron ramp signed Bernard Ortet. The salons exhibit canvases inspired by Boucher and Watteau, while the gardens, designed according to a classical geometry, mix grassed floors, terracotta ornaments, and a wooded park of 8 hectares traversed by radiant paths.
The estate is organized around a lyre esplanade leading to the court of honor, followed to the east by a closed garden of brick walls. A main axis, bordered by two side aisles, leads to a central octagonal basin, vestige of an ancient crossroads marked by four 18th century terracotta fountains. The park, structured around an oval clearing, preserves oak groves and box palisades, although some parts have lost their original legibility. A lease of 1737 already mentions a vegetable garden, an orchard, and a nursery, while a contract of 1775 details the vegetable crops and the presence of 160 oranges in boxes, attesting to a typical French garden of the time.
Ranked Historic Monument in 1993 with its outbuildings (pigeon, painted chapel, and garden), the castle illustrates the aristocratic art of life in Toulouse. Its park, labeled Remarkable Garden, reflects the influences of the regular 18th century gardens, despite subsequent changes such as the embroidery of boxwood added around 1890. The revolutionary archives of 1792 describe a prosperous estate, with a box maze and a now extinct statuary. The site, always open to the visit, bears witness to the architectural and landscape heritage of the Toulouse Gascony, between urban refinement and rural tradition.
The commune of Larra, created in 1955 by separation from Granada, is part of the region of Rivière-Verdun, a transitional zone between the Biscay and the Toulouse plain. The castle, symbol of this heritage, coexists with a 19th century neo-Gothic church and a green area of 37 hectares (domain of Cavaillé), highlighting the balance between history and nature in this area marked by Toulouse's attraction.
The gardens of the castle, organized according to a strict geometrical plan, initially included an orchard, a vegetable garden, and an orangery, characteristic elements of the secondary residences of the Toulouse parliamentary elite. The four fountains, partially restored, and the central basin – formerly decorated with a statue of marine divinity – recall the influence of the versatile models, adapted to the provincial scale. The park, with its converging aisles and groves, offers a contrast between the rigor of the areas close to the castle and the wilder character of the far away, reflecting the changes in landscape tastes between classicism and romanticism.
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