Purchase by Auguste Valpinçon 1823 (≈ 1823)
New family owner of the estate.
1859
Stay in Edgar Degas
Stay in Edgar Degas 1859 (≈ 1859)
The painter works in the pavilion.
4e quart XVIIIe siècle
Construction of the castle
Construction of the castle 4e quart XVIIIe siècle (≈ 1887)
Building of the current stone building.
3 décembre 2010
Historical Monument
Historical Monument 3 décembre 2010 (≈ 2010)
Protection of facades and park.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Edgar Degas - Impressionist painter
Invited in 1859, he installed his workshop there.
Auguste Valpinçon - Owner in 1823
Buyer of the estate and ancestor of the hosts.
Paul de Valpinçon - Degas' friend
Owner welcoming the painter in 1859.
Origin and history
The castle of Ménil-Hubert-en-Exmes, built in the last quarter of the eighteenth century, is a limestone building typical of Norman architecture. It is distinguished by its proportions studied and its state organization, including dependencies, a landscaped park and a complex hydraulic network (such as the "peer" basin). These elements reflect an autarchic economy, characteristic of the large rural areas of the time.
In 1823, the estate was acquired by Auguste Valpinçon, whose family played a key role in its history. In 1859, the painter Edgar Degas stayed there as a guest of Paul de Valpinçon, son of Augustus, and set up his workshop in a brick pavilion. This stay marks a notable artistic episode, linking the castle to the history of Impressionism. The estate, with its 19th century factories and facilities, also illustrates the evolution of aristocratic residences towards functional landscape ensembles.
Ranked Historic Monument in 2010, the castle is protected for its facades, roofs, and its park with its hydraulic systems. These protections highlight its architectural interest, as an example of a complete rural estate, and artistic, thanks to its connection with Degas and the Valpinçon family. Today the ensemble preserves the traces of this double history, between seigneurial management and creative inspiration.