Construction of the castle 4e quart XVe siècle (≈ 1587)
Foundation period attested by sources.
11 décembre 1925
Registration for Historic Monuments
Registration for Historic Monuments 11 décembre 1925 (≈ 1925)
Official protection by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The castle: inscription by decree of 11 December 1925
Key figures
Information non disponible - No name cited
Sources do not mention any related characters.
Origin and history
The Château de Saint-Cricq is a late medieval building built in the 4th quarter of the 15th century, located on the heights of Auch (Occitanie, Gers department), 183 metres above sea level. It is distinguished by a south facade preceded by a courtyard closed by a crenelated wall with round path, and a four-sided tower asymmetrically dividing the buildings. Operating buildings are backed by enclosures, while a corbelled pepper scaulder strengthens the southwest corner. The castle, inscribed in the Historical Monuments since 1925, is now in a state of abandonment.
The architecture of the castle combines defensive and decorative functions. The ground floor features door windows, typical of the late Middle Ages, while the facades are decorated with cartridges, shields, mascarons, cariatides and wall paintings. These elements suggest a desire for prestige, perhaps linked to an easy sponsor, although his identity is not mentioned in the sources. The present communal public property contrasts with its state of disrepair, highlighting the challenges of preserving rural heritage.
The site is part of the historical landscape of Gers, a region marked by the end of the Hundred Years War in the 15th century and an economic recovery. The castles of this period, often rebuilt or embellished, reflect both a continuing need for security and the affirmation of a social status through ornamentation. Saint-Cricq illustrates this duality, with its military elements (scenery, scauguette) and carved decorations, witnesses of an art in transition to the Renaissance. However, no archive specifies its exact use (seigneurial residence, fortified farm) or its historical occupants.