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Castle of Trancis à Ydes dans le Cantal

Cantal

Castle of Trancis

    5 Trancis
    15210 Ydes

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
vers 1830
Construction bourgeois house
1878
Purchased by J. Galvaing
1909-1913
Transformation into a castle
1988
Conversion to hotel
18 novembre 2002
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

The castle, in its entirety, including its interior decorations (vestibulum, stairs, library, garden room, dining room, living room, rooms) and its garden with terraces and factory (Box ZH 60, 97): inscription by order of 18 November 2002

Key figures

J. Galvaing - Textile industry Owner and sponsor of initial transformations.
Louis Raynaud - Architect Leads neo-Renaissance transformation (1909-1913).
Émile Gourgouillon - Sculptor Author of architectural and interior decorations.
Frères Treyve - Landscapers Partial designers of the castle park.
G. Maurie - Artist decorator Author of a sketch of preserved decor.
L. Raynaud - Architect Responsible for neo-Renaissance transformation.

Origin and history

The Château de Trancis found its origins in a bourgeois house built around 1830 in Ydes. This original, modest building was acquired in 1878 by textile manufacturer J. Galvaing, from the region. This first owner marks a transition to a more ambitious vocation, although the major transformation takes place only later.

Between 1909 and 1913, architect Louis Raynaud and sculptor Émile Gourgouillon, both based in Clermont-Ferrand, transformed the residence into an eclectic neo-Renaissance castle. The limestone extensions, imported from the quarries of the Seine (Yvelines), include a perpendicular wing, a polygonal staircase tower to the north, and a peg tower topped by a campanile to the south. The interior and exterior decorations, partly attributed to Gourgouillon, illustrate the architectural fascist of the early twentieth century.

The landscaping project, entrusted to the Treyve brothers of Moulins, remains inabouti or profoundly modified. A sketch by G. Maurie, also from Clermont-Ferrand, testifies to the collaboration of other artisans. The castle, registered as a historic monument in 2002, has been home to a hotel since 1988. Among his scattered furniture was a statuette by Carrier-Belleuse, La Lisuse, highlighting his past of bourgeois residence.

The communes, aligned to the west, include a barn, a saddlery and sheds, while the landscaped garden includes a wooden and brick factory, serving as a pigeonhouse and a henhouse. Two terraces connected by a symmetrical staircase once adorned the south facade, with a water jet basin now extinct. The property, always private, embodies the industrial and artistic heritage of the Auvergne at the turn of the 20th century.

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