Final dismantling 26-28 juin 1656 (≈ 27)
Fortifications destroyed by royal order.
1084
First entry
First entry 1084 (≈ 1084)
Castle quoted in medieval archives.
1458
Change of ownership
Change of ownership 1458 (≈ 1458)
Passing to the hands of the Montfaucon.
1628
First shave of castellas
First shave of castellas 1628 (≈ 1628)
Order of the Duke of Rohan during the Wars of Religion.
27 août 1628
Orderly destruction
Orderly destruction 27 août 1628 (≈ 1628)
Shaving by the Duke of Rohan.
1656
Final dismantling of the castellas
Final dismantling of the castellas 1656 (≈ 1656)
Filled piles, ruins integrated into the new castle.
1656–1666
Reconstruction of the castle
Reconstruction of the castle 1656–1666 (≈ 1661)
By Pélize de Thézan and Pierre de Montfaucon.
2 février 2009
MH classification
MH classification 2 février 2009 (≈ 2009)
Total inscription for monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Gérard Daudé de Vissec - Medieval Lord
Mentioned in the cartular of Gellone (XIe).
Jean de Montfaucon - Lord of Vissec (15th century)
Spouse of Antoinette Millasse, founder of the local lineage.
Pierre de Montfaucon (1610–1675) - Baron sentenced
Restore the castle after 1656.
Anne-Jacquette du Faur de Pibrac - Wife and manager
Directea Vissec for her husband.
Joseph Bourrier - Ancestor of current owners
Purchase of the estate in 1862, still family owner.
Jean Alexandre de la Tour du Pin - Last Marquis
Owner before the Revolution.
Joseph Bourrier (1862) - Family buyer
Ancestor of current owners.
Origin and history
Vissec Castle, mentioned in 1084, is a medieval building located in the Gard in Occitanie. He could occupy the location of the late Merovingian bishopric of Arisitum, quoted in the History of the Franks of Gregory of Tours as "the spirit of a spring". This description corresponds to the local natural phenomenon: the river la Vis disappears upstream of the village and reappears downstream at the Foux. The site, strategic, successively houses a castellas (primitive castle) and a rebuilt castle after its partial destruction in the seventeenth century.
The original castellas, in ruins since 1656, were shaved in two stages: first in 1628 on the order of the Duke of Rohan during the Wars of Religion, then in 1656 after the conviction of Pierre de Montfaucon for looting. The latter, Baron de Vissec, was imprisoned before being released in 1667 thanks to the intervention of the Prince of Conti. The present castle, built between 1656 and 1666 by Pélize de Thézan, wife of Peter, incorporates medieval remains like two vaults (XIIIth–XVth centuries) and a flamboyant Gothic fireplace. The thick walls (up to 1.10 m) and the Italian staircase bear witness to this architectural superimposition.
The seigneury of Vissec, dependent on the barony of Hierle, passed into the hands of noble families: the Milhas (before 1458), the Montfaucon (1458–162), and the Tour du Pin until the Revolution. In 1792, the castle became well national, looted and partially dismantled. Rached in 1862 by the Bourrier family, their property has remained for 164 years. The village was developed on the ruins of the former lower yard, with houses built in 1458.
Among the personalities related to the site, Gérard Daude de Vissec (XI century) is quoted in the cartular of the Gellone Abbey, while Pierre de Montfalcon (1610–175), a controversial baron, marks history by his abuses and his death sentence in 1654. Anne-Jacquette du Faur de Pibrac, his wife, manages the estate in the 17th century. The castle, inscribed in historical monuments since 2009, preserves traces of its tumultuous past, such as the coat of arms hammered during the Revolution.
The architecture combines defensive elements (courtesy of the castellas, ditches filled in 1655) and residential facilities (guard room, first floor thread). A recent discovery of ancient soil in the antechamber may reveal new data on successive occupations. The site, still inhabited by the descendants of the Bourrier family, embodies the resilience of a heritage linked to water, religious conflicts and the linguistic nobility.
Propose an amendment
Future
Various exhibitions and cultural activities are planned... All guided tour and free !!!.
Temporary exposure
Aquarelles de Dominique Gioan.
Aquarelles de Jean-Pierre Truffaut.
Temporary animation
Concert Piano Voix par Alexandra Gotthardt (piano ) et Helus Hercygier (Chant) début août... date à confirmer
Announcements
Please log in to post a review