Initial construction 4e quart XVe siècle (≈ 1587)
Strong house with brick corner towers.
XVIe siècle
Addition Renaissance façade
Addition Renaissance façade XVIe siècle (≈ 1650)
Decor carved on the main façade.
XVIIIe siècle
Major expansions
Major expansions XVIIIe siècle (≈ 1850)
Pavilions and West building added.
Années 1940
Creation of the library
Creation of the library Années 1940 (≈ 1940)
Philatelic sculptures by Raymond Prette.
23 décembre 2009
Registration for Historic Monuments
Registration for Historic Monuments 23 décembre 2009 (≈ 2009)
Protection of the castle and its outbuildings.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The whole castle, including the interiors with the library with philatelic themes, the kitchen with its frieze of Benjamin Rabier, the living rooms, the dining room and the rooms with their decor, the commons (the great common, the two pavilions at the entrance of the vegetable garden, the dairy) , the park with its fence walls and its facilities (chenil, Japanese bridge) , as well as the plate ground of the whole (cad. B 215, 563, 632, 633, 637): registration by order of 23 December 2009
Key figures
Raymond Prette - Sculptor
Author of the philatelic sculptures of the library.
Benjamin Rabier - Painter and illustrator
Drawn a frieze from the kitchen.
Origin and history
The Château des Millets is a strong house built at the end of the 15th century, characterized by a body of rectangular houses flanked by brick towers. In the 16th century, a Renaissance facade with carved decoration was added, while in the 18th century, back pavilions and a new building in front of the west facade enlarged the whole. The interiors, redesigned in the 18th and 19th centuries (woodworks, parquet floors, fireplaces), were completed at the beginning of the 20th century by remarkable improvements, including a library decorated with philatelic ash-like sculptures made by Raymond Prette in the 1940s.
The estate extends over diverse gardens created between the 18th and 19th centuries: a French-style garden, an English-language park, as well as an orchard and a walled vegetable garden. The communes, built during this period, include a dairy, pavilions and a kennel. Inside, the kitchen is distinguished by two decal friezes, one of which was designed by Benjamin Rabier. These elements, as well as the living rooms, the dining room and the rooms with their original décor, have been protected since the castle's inscription to historical monuments in 2009.
The architecture of the castle reflects the stylistic evolutions of its time, mixing medieval, Renaissance and classical influences. The landscape and interior arrangements bear witness to the aristocratic tastes of the eighteenth and nineteenth centuries, combining utility and aesthetics. The philatelic library and the friezes of Benjamin Rabier add a unique artistic dimension, illustrating the adaptation of the monument to the cultural modes of the twentieth century.
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