Original noble house début XVIe siècle (≈ 1604)
Residence of the Registrars of Lanvollon
1702
Garden development
Garden development 1702 (≈ 1702)
Creating green spaces
1706
Completion of the pond
Completion of the pond 1706 (≈ 1706)
Major landscape element
1718
Construction of communes
Construction of communes 1718 (≈ 1718)
Agricultural buildings and services
1723
Completion of the pavilion and chapel
Completion of the pavilion and chapel 1723 (≈ 1723)
Sculptures by Corlay
1795
Revolutionary degradations
Revolutionary degradations 1795 (≈ 1795)
Damage by Republican soldiers
1993
Historical Monument
Historical Monument 1993 (≈ 1993)
Protection of the architectural complex
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Together formed by the castle, the outbuildings, the chapel, the dovecote, the orangery, the court of honor and the garden (cad. D 753, 754, 756, 757, 763, 769 to 771): registration by order of 24 December 1993
Key figures
Corlay - Sculptor
Author of sculptures of 1723
Origin and history
The Château du Bois de la Salle, located in Pléguien in the Côtes-d Originally, at the beginning of the 16th century, it was a noble house belonging to hereditary clerks of the Lanvollon court. The present set, with its gardens built in 1702 and its pond completed in 1706, reflects the major changes carried out in the early 1700s, including the elevation of the floors and the construction of the communes in 1718.
In 1723, the pavilion and chapel, decorated with sculptures by Corlay, marked the culmination of the works. The French Revolution had an impact on the field: it was declared a national in 1795 and suffered damage caused by Republican soldiers. The architecture of the castle, organised around a courtyard closed by a gate, includes side buildings (sellery and chapel), a lower courtyard with commons, as well as a garden with an orangery and a dovecote. Remnants of a feudal motte or Roman camp remain in the forest, adding an earlier historical dimension.
Ranked a Historic Monument in 1993, the castle of the Bois de la Salle illustrates the evolution of a seigneurial residence into a coherent architectural complex, combining residential, religious (chapel) and agricultural functions (dependencies). Its dovecote, typical of noble estates, and its structured gardens testify to the importance attached to both prestige and economic autonomy under the Old Regime. Corlay's sculptures, although poorly documented, highlight the influence of local artisans in the beautification of Breton aristocratic residences.
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