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Saint Pierre d'Artins Church dans le Loir-et-Cher

Patrimoine classé
Patrimoine religieux
Eglise
Loir-et-Cher

Saint Pierre d'Artins Church

    113 Le Vieux Bourg
    41800 Artins
Église Saint-Pierre dArtins
Église Saint-Pierre dArtins
Église Saint-Pierre dArtins
Crédit photo : Ericba - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1600
1700
1800
1900
2000
XIe siècle
Construction begins
XIIIe, XVe et XVIe siècles
Architectural changes
1846-1847
Painting of the table *Holy Family*
1987
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Saint Peter's church (old) with its stone altar against the eastern wall (cad. A 110): classification by decree of 30 November 1987

Key figures

Édouard-Aimé Pils - Academic Painter The painting *Holy Family* was completed in 1847.
M. Goujon - Local painter Initiated the painting *Sainte Famille* in 1846.

Origin and history

The church of Saint-Pierre and Artins, located in the Loir-et-Cher department in the Centre-Val de Loire region, is a religious building whose construction began in the 11th century. A former parish church, it underwent major transformations in the 13th, 15th and 16th centuries, notably in bedside, covering and bays. Its apparatus suggests a possible re-use of Gallo-Roman materials, reflecting an ancient occupation of the site. Inside, the walls of the nave once wore wall paintings depicting knights, still visible in the 1930s, while the choir was decorated with painted draperies.

Classified as a historic monument on November 30, 1987, the church houses protected furniture, including 17th and 18th century statues (Saint Peter, Saint James, Saint Appoline, Christ on the Cross) and a painting of the Holy Family painted in 1846-1847 by Édouard-Aimé Pils and M. Goujon. These elements illustrate the artistic and devotional evolution of the place, from the Middle Ages to the modern era.

Archaeological and historical studies, such as those published in the Archaeological Bulletin (1909) or the Monumental Bulletin (2021), highlight the importance of the Romanesque paintings of Artins, some of which were moved to Deutsches Burgenmuseum in Germany. This research highlights the church's role as a witness to local artistic and religious practices, from its medieval foundation to its later development.

External links