Initial construction XIe siècle (≈ 1150)
Hospital origin and Romanesque plan
XIVe et XVe siècles
Medieval changes
Medieval changes XIVe et XVe siècles (≈ 1550)
Architectural changes not detailed
XIXe siècle
Added pediment
Added pediment XIXe siècle (≈ 1865)
Replacement of the cross-linked device
1897
Installation of stained glass windows
Installation of stained glass windows 1897 (≈ 1897)
Representations of saints
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Information non disponible - No character cited
The source text does not mention any historical actors
Origin and history
Saint-Pierre de Cleyrac Church, located in the Gironde department in Nouvelle-Aquitaine, is a Roman Catholic building dating back to the 11th century. It underwent reshuffles in the 14th, 15th and 19th centuries. From a rectangular plane, it ends with a semicircular apse vaulted in cul-de-four, crowned with a romane corniche supported by 24 figurative modillons, including animal and human representations symbolizing the denunciation of lust. These elements, along with the presence of a Sheela Na Gig (sculpture of an impudent woman), suggest a link to the pilgrimage paths to Compostela.
The west gate opens under curved arches, supported by two columns with historical capitals, now very deteriorated. The ancient descriptions (like Marquessac's in 1866) evoke biblical scenes, including Cain and Abel or Adam and Eve, as well as stylized animal motifs. A triangular pediment, added in the 19th century, replaces an ancient stone mosaic cross-linked apparatus. Inside, the triumphal arch carries carved capitals, including a gilding bust and a stylized plant, reflecting the typical Romanesque iconography of the region.
The stained glass windows, dated 1897, adorn the north and south sides of the nave and the bedside. They represent holy figures such as St Peter, St Joseph, St Anne and St Madeleine. Outside, architectural jobs include a tombstone adorned with a cross and a niche housing a nude, sitting woman sculpture, whose symbolism remains debated. These elements, combined with the church's position on the D672 departmental road (between Sauveterre-de-Guyenne and Pellegrue), underline its historic role as a stopover for pilgrims and travellers.
The bedside modillons illustrate a variety of motifs: evil animals (calf, wolf, feline), demonic monsters, and two naked human figures, one ithyphallic, the other exhibiting her sex. These representations, common in Romanesque art, were intended to warn against vices, especially lust, in a context where the church also served as a spiritual stage on the roads to Santiago de Compostela. The building, although modified over the centuries, thus preserves tangible traces of its medieval past and its social and religious function.
The Saint-Pierre church is part of a wider network of religious monuments in Gironde, marked by the influence of Romanesque and Gothic artistic currents. Its present state, combining original elements and subsequent additions (like the 19th century pediment), offers a material testimony of architectural evolutions and local cultural practices, from the Middle Ages to the modern era.
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