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Saint-Saturnin Church à Marmanhac dans le Cantal

Cantal

Saint-Saturnin Church

    6038 Impasse Joseph Pastisson
    15250 Marmanhac
Crédit photo : Père Igor - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1900
2000
XIIe siècle
Foundation of the Priory
XIIIe siècle
Construction of the bell tower
Limite XIVe-XVe siècles
Reconstruction of the church
1913
Interior decor renovation
9 juin 1992
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Saint-Saturnin Church (Cd. E 88): inscription by order of 9 June 1992

Key figures

Information non disponible - No character cited Sources do not mention any historical actors.

Origin and history

The Saint-Saturnin church of Marmanhac, located in the Cantal in Auvergne-Rhône-Alpes, has its origins in the 12th century with a priory dependent on the abbey of Aurillac. From this period the crypt and the bases of certain pillars remain today. The bell tower wall, for its part, would probably date from the 13th century, marking a first phase of construction before the major reconstruction of the building.

The reconstruction of the church took place at the edge of the 14th and 15th centuries, giving it its characteristic southern Gothic style. The building consists of a low nave, a polygonal bedside choir preceded by an elongated span, and six lateral chapels, initially independent before being made communicative in the 19th century. The crypt, accessible by excavation in the first northern span, bears witness to the oldest remains of the site.

The interior decor was entirely redone in 1913, incorporating neo-Gothic elements such as a fake device, stencil motifs and panelling. These modifications, although after centuries, marked the present aspect of the church. The building was officially listed as historic monuments by order of 9 June 1992, thereby recognizing its heritage value.

Architecturally, the church illustrates the transition between the Romanesque and Gothic periods, with dogive vaults covering the nave, choir and ancient chapels. Its bell tower-wall, typical of certain regions of the Central Massif, and its crypt make it a remarkable example of the local religious heritage, mixing monastic influences and medieval stylistic evolutions.

External links