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Convent of the Immaculate Conception of Clermont-Ferrand dans le Puy-de-Dôme

Patrimoine classé
Patrimoine religieux
Couvent
Puy-de-Dôme

Convent of the Immaculate Conception of Clermont-Ferrand

    11 Rue Bansac
    63000 Clermont-Ferrand
Crédit photo : Sylenius - Sous licence Creative Commons

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1900
2000
1859
Foundation of the convent
1859-1860
Construction of the chapel
1928-1930
Architectural additions
14 juin 2002
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The chapel of the convent, in full (Box HV 179): inscription by decree of 14 June 2002

Key figures

Abbé Bastier de Meydat - Founder of the convent Initiated the congregation in 1859.
Mailhot - Glass painter Author of stained glass of the chapel.

Origin and history

The convent of the Immaculate Conception of Clermont-Ferrand was founded in 1859 by Abbé Bastier de Meydat, marking the beginning of a religious community active in the city. The chapel was built between 1859 and 1860, with subsequent additions around 1928-1930. Its architecture includes a three-span rectangular nave and a three-sided apse, complemented by an axial chapel. The interior, vaulted with warheads, preserves original decorative elements, like stained glass windows of the late 19th century, two of which were signed by the painter-glass Mailhot.

The chapel preserved its original neogothic furniture, including a pulpit, a painted cross path and statues. These elements testify to the artistic and spiritual importance of the place. Classified as a Historical Monument by decree of 14 June 2002, the chapel is now the property of an association, ensuring its conservation and enhancement. Its architecture and interior decorations reflect the stylistic and religious influences of the 19th century in Auvergne.

The location of the convent at 11 Bansac Street in Clermont-Ferrand is documented in the Mérimée base, although geographical accuracy is considered to be poor (note of 5/10). This monument illustrates the role of religious congregations in town planning and social life in the 19th century, while providing a remarkable example of the sacred art of this period.

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