Foundation of the convent 1859 (≈ 1859)
Created by Abbé Bastier de Meydat.
1859-1860
Construction of the chapel
Construction of the chapel 1859-1860 (≈ 1860)
Neo-Gothic style with nave and apse.
1928-1930
Architectural additions
Architectural additions 1928-1930 (≈ 1929)
Changes to the chapel.
14 juin 2002
Historical Monument
Historical Monument 14 juin 2002 (≈ 2002)
Protection of the entire chapel.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The chapel of the convent, in full (Box HV 179): inscription by decree of 14 June 2002
Key figures
Abbé Bastier de Meydat - Founder of the convent
Initiated the congregation in 1859.
Mailhot - Glass painter
Author of stained glass of the chapel.
Origin and history
The convent of the Immaculate Conception of Clermont-Ferrand was founded in 1859 by Abbé Bastier de Meydat, marking the beginning of a religious community active in the city. The chapel was built between 1859 and 1860, with subsequent additions around 1928-1930. Its architecture includes a three-span rectangular nave and a three-sided apse, complemented by an axial chapel. The interior, vaulted with warheads, preserves original decorative elements, like stained glass windows of the late 19th century, two of which were signed by the painter-glass Mailhot.
The chapel preserved its original neogothic furniture, including a pulpit, a painted cross path and statues. These elements testify to the artistic and spiritual importance of the place. Classified as a Historical Monument by decree of 14 June 2002, the chapel is now the property of an association, ensuring its conservation and enhancement. Its architecture and interior decorations reflect the stylistic and religious influences of the 19th century in Auvergne.
The location of the convent at 11 Bansac Street in Clermont-Ferrand is documented in the Mérimée base, although geographical accuracy is considered to be poor (note of 5/10). This monument illustrates the role of religious congregations in town planning and social life in the 19th century, while providing a remarkable example of the sacred art of this period.
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