Foundation of the convent 1616 (≈ 1616)
Installation of the Augustins by François de Donadieu.
1618
Construction of the chapel
Construction of the chapel 1618 (≈ 1618)
Authorization given by the Bishop of Auxerre.
1790
End of the monastic period
End of the monastic period 1790 (≈ 1790)
Departure of the Augustins after the Revolution.
15 juin 1977
Monument protection
Monument protection 15 juin 1977 (≈ 1977)
Listing of HMs.
1980
Opening of the Loire Museum
Opening of the Loire Museum 1980 (≈ 1980)
Cultural reallocation of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs; entrance gate of the part of the buildings located rue Alphonse Baudin (Box AM 26, 27): inscription by order of 15 June 1977
Key figures
François de Donadieu - Bishop of Auxerre
Founded the convent in 1616.
Pierre Picard - Stone tailor
Intervened in 1646 for work.
Edme Millot - Painter
Worked for the convent in 1648.
Jean Briant - Cover
Work was carried out in 1651.
Origin and history
The convent of the Augustinians of Cosne-Cours-sur-Loire, located in the Nièvre in Burgundy-Franche-Comté, was founded in 1616 by François de Donadieu, bishop of Auxerre. Located in pre-existing buildings on the edge of the Nohain, the Augustines developed an educational and religious pole there, with the permission to teach and celebrate the services. By 1618, the construction of a chapel was authorized, marking the beginning of a continuous expansion of the convent, financed by local donations and land acquisitions.
Between 1616 and 1790, the monks expanded the site thanks to documented works (stone size, carpentry, blanket) and the purchase of land, such as those of Pierre Labre or Emée Chantereau. After the Revolution, the building changed its vocation several times: guard corps (1791-1848), town hall, courthouse, theatre, school and college until 1966. Since 1980, it has been home to the Musée de la Loire, while preserving protected elements such as its facades and portal, inscribed in the Historical Monuments in 1977.
The history of the convent reflects the social changes of the Nièvre, moving from a place of spirituality and teaching to a public cultural space. The departmental archives keep traces of craftsmen (painters, roofers) and real estate transactions that have shaped its architecture. Today, the museum celebrates river and local history, perpetuating its central role in collective memory.
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