Initial Foundation XIIe siècle (≈ 1250)
Installation outside the walls near the Narbon castle
XIVe siècle
Displacement on Pharaoh Street
Displacement on Pharaoh Street XIVe siècle (≈ 1450)
Refuge against the English *intra muros*
1580
Assignment to Cordeliers
Assignment to Cordeliers 1580 (≈ 1580)
Enlargement after 1656 by the Cordeliers
3e quart XVIIe siècle
Classical reconstruction
Classical reconstruction 3e quart XVIIe siècle (≈ 1762)
Plans of Rivalz, Italian style
1789
Revolutionary decommissioning
Revolutionary decommissioning 1789 (≈ 1789)
Sale as a national good
1976
Historic Monument Protection
Historic Monument Protection 1976 (≈ 1976)
Registration façades and cloister
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (currently Spanish parish church); façades and roofs on street and courtyard of the convent buildings including the cloister (Box AB 273, 434): inscription by order of 24 February 1976
Key figures
Jean-Pierre Rivalz - Architect and painter
Author of classical church plans
Joseph Roques - Painter-Decorator
Realizes the absidial decoration
Origin and history
The convent of the religious of Saint-Antoine-du-Salin came into being in the 12th century, when the religious settled outside the walls of Toulouse, near the Narbon castle. In the 14th century, in order to escape English threats, they took refuge in the muros by settling down on Pharaoh Street. This first site was given in 1580 to the Cordeliers of Isle-Jourdain, themselves expelled from their city, who undertook to enlarge and rebuild the monastery after 1656, in a classic style inspired by the Italian 17th century models.
The church, designed according to the plans of architect Rivalz, embodies the classic cannons of the era, with a symmetrical facade rhythmized by pilasters and crowned with a triangular pediment pierced by d-oculi. The decoration of the abside was made by Joseph Roques. Disused of the Revolution, the site changed hands several times: acquired in 1807 by the nuns of Notre-Dame, then in 1822 by the brotherhood of the Blue Penitents. Today, the church serves as a Spanish parish, while the convent buildings, including the cloister, have been protected since 1976.
The monument illustrates the religious and political upheavals of Toulouse, between medieval wars, monastic reforms and revolutionary secularizations. Its architecture, combining classical rigour and medieval heritage, bears witness to the artistic exchanges between France and Italy in the seventeenth century. The successive reuse of the site by different communities also reflects its anchoring in Toulouse's spiritual life, despite historical disruptions.
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