Construction of dolmen Néolithique (≈ 4100 av. J.-C.)
Estimated period of construction between 4500 and 2000 BC.
1877
Searches by J. Miln
Searches by J. Miln 1877 (≈ 1877)
Discovery of a polished axe and pottery.
1889
Historical Monument
Historical Monument 1889 (≈ 1889)
Official protection on initial list.
1929
Restoration by Zacharie Le Rouzic
Restoration by Zacharie Le Rouzic 1929 (≈ 1929)
Work to preserve the monument.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Alignment and dolmen (Case M 115-118, 126, 127, 129, 139, 140, 154, 155, 165, 177, 226, 227): classification by list of 1889
Key figures
J. Miln - Archaeologist
Searched the dolmen in 1877.
Zacharie Le Rouzic - Archaeologist and restorer
Restored the dolmen in 1929.
Origin and history
The Dolmen de Kermario is a megalithic monument located in Carnac, Morbihan, Brittany. It marks the southwest end of the famous Kermario alignments, dating from the Neolithic. This site, classified as historical monuments in 1889, illustrates the importance of the collective funeral buildings of that time. Its architecture, from dolmen to corridor, opens south/south-eastward, a direction potentially linked to symbolic or astronomical considerations.
The first excavations, conducted in 1877 by J. Miln, revealed significant archaeological furniture, including a polished axe, flint fragments and pottery fragments. These artifacts, now preserved at the Museum of Prehistory in Carnac, offer an overview of Neolithic tools and craft practices. A major restoration was undertaken in 1929 by Zacharie Le Rouzic, a local archaeology figure, to preserve the structure threatened by weather and weather.
The Kermario dolmen is part of a larger megalithic complex, characteristic of the Carnac region. These monuments, erected between 4500 and 2000 BC, reflect a society organized around complex beliefs and collective funeral rites. Their precise alignment and their persistence throughout the millennia underline their central role in the memory and cultural identity of Brittany. Studies and inventories, such as those of Félix Gaillard (1892) or Zacharie Le Rouzic (1965), have helped document and value this exceptional heritage.
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