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Church of Saint-Victor-de-Buthon dans l'Eure-et-Loir

Patrimoine classé
Patrimoine religieux
Eglise romane et gothique
Eure-et-Loir

Church of Saint-Victor-de-Buthon

    1 Rue de l'Abbé Fleury
    28240 Saint-Victor-de-Buthon
Église de Saint-Victor-de-Buthon
Église de Saint-Victor-de-Buthon
Église de Saint-Victor-de-Buthon
Crédit photo : Maxime Lathuilière - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Construction of the Romanesque choir
XVe siècle
Adding ogival windows
XVIe siècle
Construction of the coasts
1856
Construction of sacristy
1870-1872
Replacement of the vault
1879
Reconstruction of the bell tower
1990
Registration for Historic Monuments
2000
High altar classification
Aujourd'hui
Aujourd'hui

Heritage classified

Parish church, as well as its choir fence in polychrome stone, with the exception of the bell tower and sacristy raised in the 19th century (Box I 85): inscription by decree of 8 November 1990

Key figures

Abbé Tondut - Curé and restorer Initiator of 19th century works.
Architecte Prempain - Manufacturer of the bell tower Author of plans in 1879.
Doïna Moraru - Contemporary Artist Author of the Way of the Cross (2005).

Origin and history

The church Saint-Victor-de-Buthon, located in the Eure-et-Loir department in the Centre-Val de Loire region, is a monument dating back to the 12th century. His Romanesque choir, marked by a semicircular apse, bears witness to this medieval period. Major transformations took place in the 15th and 16th centuries, with the addition of large ogival sled windows and the construction of five sides, almost doubling the area of the building. These changes reflect the evolution of architectural styles from the flamboyant Gothic to the Renaissance.

In the 19th century, the church underwent major restorations under the impulse of Abbé Tondut: a sacristy was erected in 1856, the arch was replaced by a brick and plaster vault in 1870, and the wooden bell tower, typical of the Perch, was rebuilt in stone around 1879 according to the plans of architect Prempain. This work aims to modernize and sustain the building, while respecting its historical character. The church was registered with the Historical Monuments in 1990, protecting its choir, sides and choir fence in polychrome stone.

The interior furniture of the church is just as remarkable. The 17th-century high altar, classified in 2000, includes a altarpiece, a golden wooden tabernacle of 1687, and a copy of a Rubens painting representing the Magi Adoration. The choir fence, or nailing, unique in Eure-et-Loir, symbolizes the separation between clerics and laity. Other notable elements include a 16th century stained glass window, destroyed in 1940 and then replaced, and a reliquary dedicated to Saint Amerina.

The church is situated in a geographical and historical context marked by the Perche Regional Natural Park, a region with landscape of peaty meadows and forests, classified as Natura 2000. The village of Saint-Victor-de-Buthon, built in an amphitheater on a steep hill, preserves traces of its feudal past, with the remains of a castral mound and an ancient seigneurial residence. The commune, rural and sparsely populated (510 inhabitants in 2023), has experienced a population decline since its peak of 1,148 inhabitants in 1841.

Natural hazards, such as flooding the Cloche River or shrinking clay soils, have marked local history. In 1999, the municipality was recognized as a natural disaster for damage caused by floods and land movements. Despite these hazards, the church remains a symbol of the resilience and historical anchoring of the community, between religious heritage and preserved environment.

Finally, the church Saint-Victor-de-Buthon is distinguished by its mixture of periods and styles, illustrating nearly nine centuries of architectural and liturgical history. Its 19th-century bell tower, stained glass windows lost during the Second World War, and its classified furniture make it a place of memory and worship still active today. The presence of contemporary artists, such as Doina Moraru, author of the Way of the Cross in 2005, shows a continuity between tradition and modernity.

External links