Construction of the current building Seconde moitié du XIe siècle (≈ 1175)
Unique nave and vaulted apse.
Fin XIe siècle
First mention as priory
First mention as priory Fin XIe siècle (≈ 1195)
Attached to the Abbey of La Sauve-Majeure.
XIIe siècle
Addition of axial bay
Addition of axial bay XIIe siècle (≈ 1250)
Modification of the apse.
1554
Make the little bell
Make the little bell 1554 (≈ 1554)
Listed historical monument.
XIVe-XVIe siècles
Fortification of the Church
Fortification of the Church XIVe-XVIe siècles (≈ 1650)
Upgrading of the apse and shortening.
1876
Make the big bell
Make the big bell 1876 (≈ 1876)
Commanded to Antonin Vauthier.
24 décembre 1925
Historical monument classification
Historical monument classification 24 décembre 1925 (≈ 1925)
Total building registration.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 24 December 1925
Key figures
Léo Drouyn - Historian and draftsman
A attributed the nave to the Gothic period.
Antonin Vauthier - Bell founder
Made the big bell in 1876.
Origin and history
The church of Saint-Jacques de Bellebat, located in the Gironde department in New Aquitaine, finds its origins at the end of the 11th century, when it is mentioned as a priory dependent on the Abbey of La Sauve-Majeure. His first patron saint, Saint Christophe, suggested an older foundation, perhaps between the eighth and ninth centuries, when this saint was particularly venerated. The current building, built in the second half of the 11th century, presents a simple plan: a unique nave extended by an elevated choir of a walk, and a vaulted apse in cul-de-four. The capitals and bases of the columns, adorned with typical Romanesque geometric motifs, as well as the curved bays on the south and east sides, date back to this period. The axial bay, more ebrased, dates back to the twelfth century.
During the 14th, 15th and 16th centuries, the church underwent transformations linked to successive conflicts, including the Hundred Years' War and the Wars of Religion. The building is then fortified: the apse is enhanced and equipped with a steeple, now disappeared but whose consoles remain on the north wall. The nave and facade, originally attributed to the Gothic period by Leo Drouyn, could in reality be contemporary of the apse, according to recent studies. This research highlights similarities in the stone apparatus with other Romanesque churches in the region, such as those of Saint-Genis-du-Bois and Frontenac.
The bell tower-wall, characteristic of the building, crowns the facade and houses two bells: the oldest, classified historical monument, dates from 1554 and bears an inscription dedicated to Notre-Dame d'Ambès; The second, more recent, was melted in 1876 by Antonin Vauthier. Outside, a 16th century cemetery cross, surmounted by an 18th century cross, completes the whole. Inside, a carved 13th century stone, classified as a historical monument, represents a Crucifixion surrounded by angels and figures of the Virgin and Saint John. Two 15th or 16th century statues representing Saint Christophe and Saint Louis (or Saint Cloud) also bear witness to the heritage richness of the building.
The church of Saint-Jacques, entirely classified as historical monuments since 1925, thus illustrates almost a millennium of history, between medieval foundations, defensive adaptations and later embellishments. Its architecture, marked by re-uses of Gallo-Roman materials and Gothic additions, reflects the artistic evolutions and political upheavals of the Gironde throughout the centuries.
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