Major renovations XVIe siècle (≈ 1650)
Redesigned nave, panelling and south collateral.
1688
Threatened Bell
Threatened Bell 1688 (≈ 1688)
First mention of structural degradation.
1922
Reconstruction of the bell tower
Reconstruction of the bell tower 1922 (≈ 1922)
Works led by the architect Cavalier.
6 décembre 1948
Partial classification
Partial classification 6 décembre 1948 (≈ 1948)
Renaissance Porch and Protected Capitals.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The Renaissance porch and the capitals on the west facade (Box A 643): inscription by order of 6 December 1948
Key figures
Architecte Cavalier - Bell tower restaurant
Reconstructed the bell tower in 1922.
Origin and history
The church of Saint-Jacques de Nanteuil-Auriac-de-Bourzac, built in the 12th century, has a Romanesque structure marked by a rectangular forechoir covered with a dome with flat pendants, giving the whole a quasi octagonal shape. The semicircular abside, adorned with five blind arches and carved capitals, is reinforced by flat foothills and ravens bearing an ancient defensive bahut, vestige of the fortifications added during the Hundred Years War to protect the Benedictine priory on which it depended. The nave, reworked in the 16th century, has glazes identical to those of the southern collateral, while architectural traces suggest the past existence of a north collateral now extinct.
The Renaissance gate, topped by a de-axed oculus and a shell-adorned brace, illustrates the aesthetic transformations of the building. Originally conceived as a single-nave Romanesque church, it was enlarged in the 15th century by two sides vaulted with dogive crosses, of which only the southern one remains. The walled porch, decorated with Renaissance motifs, and the bell tower, rebuilt in 1922 after centuries of degradation (mentioned in 1688), complete to characterize its architectural evolution. The church, quoted in a 13th-century foal, was part of the Archpriest of Thiviers and served as a fortified place of worship, as evidenced by the preserved defensive elements.
Partially classified at the Historical Monuments in 1948 for its Renaissance porch and capitals, the Church of Santiago embodies medieval and modern stylistic superpositions. The sculpted capitals of the abside, the false tubes of the dome, and the residual columns of the missing north side reveal a complex history, between religious function, military adaptations, and successive restorations. Its defensive bahut, designed to communicate with the original bell tower, recalls the strategic role of religious buildings during the conflicts, while the 16th century panelling and subsequent reshuffles highlight a continuous occupation until the contemporary era.
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